.jpg?maxwidth=3840)
拍品 36
ANSEL ADAMS (1902–1984)
Moonrise, Hernandez, New Mexico, 1941
已结束2023年4月13日
估价
USD 60,000–80,000
更多信息
ANSEL ADAMS (1902–1984)
Moonrise, Hernandez, New Mexico, 1941
gelatin silver print, mounted on board, printed 1963-1973
signed in pencil (mount, recto); titled and annotated in ink with photographer's Carmel credit stamp [BMFA stamp 9] (mount, verso)
image/sheet: 10 x 13 1/4 in. (25.4 x 33.6 cm.)
mount: 14 x 17 5/8 in. (35.5 x 44.7 cm.)
Moonrise, Hernandez, New Mexico, 1941
gelatin silver print, mounted on board, printed 1963-1973
signed in pencil (mount, recto); titled and annotated in ink with photographer's Carmel credit stamp [BMFA stamp 9] (mount, verso)
image/sheet: 10 x 13 1/4 in. (25.4 x 33.6 cm.)
mount: 14 x 17 5/8 in. (35.5 x 44.7 cm.)
ANSEL ADAMS (1902–1984)
Moonrise, Hernandez, New Mexico, 1941
gelatin silver print, mounted on board, printed 1963-1973
signed in pencil (mount, recto); titled and annotated in ink with photographer's Carmel credit stamp [BMFA stamp 9] (mount, verso)
image/sheet: 10 x 13 1/4 in. (25.4 x 33.6 cm.)
mount: 14 x 17 5/8 in. (35.5 x 44.7 cm.)
Moonrise, Hernandez, New Mexico, 1941
gelatin silver print, mounted on board, printed 1963-1973
signed in pencil (mount, recto); titled and annotated in ink with photographer's Carmel credit stamp [BMFA stamp 9] (mount, verso)
image/sheet: 10 x 13 1/4 in. (25.4 x 33.6 cm.)
mount: 14 x 17 5/8 in. (35.5 x 44.7 cm.)
Charles Isaacs Photographs, New York;
Kicken Gallery, Berlin;
acquired from the above by a private collector, Germany;
Kicken Gallery, Berlin;
acquired from the above by the present owner, 2012.
Kicken Gallery, Berlin;
acquired from the above by a private collector, Germany;
Kicken Gallery, Berlin;
acquired from the above by the present owner, 2012.
Ansel Adams, Photographs of the Southwest, New York Graphic Society, Boston, 1966, pl. 55.
James Alinder, Ansel Adams, 1902-1984, The Friends of Photography, Carmel, 1984, p. 55.
Andrea G. Stillman, Ansel Adams: Letters and Images 1916-1984, Little, Brown and Co., Boston, 1988, p. 142.
Ansel Adams, Examples: The Making of 40 Photographs, Little, Brown and Co., New York, 1989, cover, p. 40.
John Szarkowski, Ansel Adams at 100, San Francisco Museum of Modern Art/Little, Brown and Co., Boston, 2001, pl. 96.
Anne Hammond, Ansel Adams, Divine Performance, Yale University Press, New Haven, 2002, p. 94, fig. 4.10.
Karen E. Haas and Rebecca A. Senf, Ansel Adams in the Lane Collection, Museum of Fine Arts, Boston, 2005, pl. 37, p. 68. Andrea G. Stillman (ed.), Looking at Ansel Adams: The Photographs and the Man, Little, Brown and Co., New York, 2012, p. 114.
James Alinder, Ansel Adams, 1902-1984, The Friends of Photography, Carmel, 1984, p. 55.
Andrea G. Stillman, Ansel Adams: Letters and Images 1916-1984, Little, Brown and Co., Boston, 1988, p. 142.
Ansel Adams, Examples: The Making of 40 Photographs, Little, Brown and Co., New York, 1989, cover, p. 40.
John Szarkowski, Ansel Adams at 100, San Francisco Museum of Modern Art/Little, Brown and Co., Boston, 2001, pl. 96.
Anne Hammond, Ansel Adams, Divine Performance, Yale University Press, New Haven, 2002, p. 94, fig. 4.10.
Karen E. Haas and Rebecca A. Senf, Ansel Adams in the Lane Collection, Museum of Fine Arts, Boston, 2005, pl. 37, p. 68. Andrea G. Stillman (ed.), Looking at Ansel Adams: The Photographs and the Man, Little, Brown and Co., New York, 2012, p. 114.