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拍品 4|FROM THE COLLECTION OF PETER FETTERMAN
ANSEL ADAMS (1902-1984)
Frozen Lake and Cliffs, The Sierra Nevada, California, 1932
已结束2022年5月25日
成交价
USD 18,900
更多信息
ANSEL ADAMS (1902-1984)
Frozen Lake and Cliffs, The Sierra Nevada, California, 1932
gelatin silver print, mounted on board, printed 1980
signed in pencil (mount, recto); credited, titled and dated [with print date] and identification number ‘834’ in ink in photographer's Carmel Museum Set Edition credit stamp with photographer’s copyright credit and The College of New Rochelle deaccession stamps (mount, verso); credited, titled and dated on affixed gallery label (mat, verso)
image/sheet: 14 1⁄4 x 18 5⁄8 in. (36.1 x 47.3 cm.)
mount: 22 x 28 in. (55.8 x 71.1 cm.)
Frozen Lake and Cliffs, The Sierra Nevada, California, 1932
gelatin silver print, mounted on board, printed 1980
signed in pencil (mount, recto); credited, titled and dated [with print date] and identification number ‘834’ in ink in photographer's Carmel Museum Set Edition credit stamp with photographer’s copyright credit and The College of New Rochelle deaccession stamps (mount, verso); credited, titled and dated on affixed gallery label (mat, verso)
image/sheet: 14 1⁄4 x 18 5⁄8 in. (36.1 x 47.3 cm.)
mount: 22 x 28 in. (55.8 x 71.1 cm.)
ANSEL ADAMS (1902-1984)
Frozen Lake and Cliffs, The Sierra Nevada, California, 1932
gelatin silver print, mounted on board, printed 1980
signed in pencil (mount, recto); credited, titled and dated [with print date] and identification number ‘834’ in ink in photographer's Carmel Museum Set Edition credit stamp with photographer’s copyright credit and The College of New Rochelle deaccession stamps (mount, verso); credited, titled and dated on affixed gallery label (mat, verso)
image/sheet: 14 1⁄4 x 18 5⁄8 in. (36.1 x 47.3 cm.)
mount: 22 x 28 in. (55.8 x 71.1 cm.)
Frozen Lake and Cliffs, The Sierra Nevada, California, 1932
gelatin silver print, mounted on board, printed 1980
signed in pencil (mount, recto); credited, titled and dated [with print date] and identification number ‘834’ in ink in photographer's Carmel Museum Set Edition credit stamp with photographer’s copyright credit and The College of New Rochelle deaccession stamps (mount, verso); credited, titled and dated on affixed gallery label (mat, verso)
image/sheet: 14 1⁄4 x 18 5⁄8 in. (36.1 x 47.3 cm.)
mount: 22 x 28 in. (55.8 x 71.1 cm.)
Acquired directly from the artist by Martin Horwitz;
gifted to The College of New Rochelle by the above, 2012;
Doyle, New York, December 14, 2007, lot 145;
acquired from the above by the present owner.
gifted to The College of New Rochelle by the above, 2012;
Doyle, New York, December 14, 2007, lot 145;
acquired from the above by the present owner.
Nancy Newhall, Ansel Adams Volume 1: The Eloquent Light, Sierra Club, San Francisco, 1963, p. 168-169.
Ansel Adams and Paul Brooks, Yosemite and the Range of Light, Little, Brown and Company, Boston, 1979, pl. 27, p. 49.
Ansel Adams, Examples: The Making of 40 Photographs, Little, Brown and Company, Boston, 1983, p. 10.
Ansel Adams, Ansel Adams 1902-1984, The Friends of Photography, Carmel, c. 1984, p. 12.
Ansel Adams and Mary Street Alinder, Ansel Adams: An Autobiography, New York Graphic Society; Little, Brown and Company, New York; Boston, 1985, p. 147.
John Szarkowski, Ansel Adams at 100, San Francisco Museum of Modern Art; Little, Brown and Company, Boston, 2001, pl. 32.
Andrea G. Stillman, Looking at Ansel Adams: The Photographs and the Man, Little, Brown and Company, New York, p. 70-71, 73, and 79.
Andrea G. Stillman, Ansel Adams: 400 Photographs, Little, Brown and Company, New York, 2007, p. 93.
Ansel Adams and Andrea G. Stillman, Ansel Adams In the National Parks: Photographs from America's Wild Places, Little, Brown and Company, New York, 2010, p. 10 and 300.
Ansel Adams and Paul Brooks, Yosemite and the Range of Light, Little, Brown and Company, Boston, 1979, pl. 27, p. 49.
Ansel Adams, Examples: The Making of 40 Photographs, Little, Brown and Company, Boston, 1983, p. 10.
Ansel Adams, Ansel Adams 1902-1984, The Friends of Photography, Carmel, c. 1984, p. 12.
Ansel Adams and Mary Street Alinder, Ansel Adams: An Autobiography, New York Graphic Society; Little, Brown and Company, New York; Boston, 1985, p. 147.
John Szarkowski, Ansel Adams at 100, San Francisco Museum of Modern Art; Little, Brown and Company, Boston, 2001, pl. 32.
Andrea G. Stillman, Looking at Ansel Adams: The Photographs and the Man, Little, Brown and Company, New York, p. 70-71, 73, and 79.
Andrea G. Stillman, Ansel Adams: 400 Photographs, Little, Brown and Company, New York, 2007, p. 93.
Ansel Adams and Andrea G. Stillman, Ansel Adams In the National Parks: Photographs from America's Wild Places, Little, Brown and Company, New York, 2010, p. 10 and 300.