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拍品 239
Heinrich Kühn (1866-1944)
Study in Tonal Values III (Mary Warner), c. 1910
已结束2016年2月18日
成交价
USD 35,000
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Heinrich Kühn (1866-1944)
Study in Tonal Values III (Mary Warner), c. 1910
bromoil transfer print on tissue
various annotations in German in pencil (margin)
image: 11 1/2 x 9 in. (29.3 x 23 cm.)
sheet: 14 x 10 1/2 in. (35.7 x 26.7 cm.)
Study in Tonal Values III (Mary Warner), c. 1910
bromoil transfer print on tissue
various annotations in German in pencil (margin)
image: 11 1/2 x 9 in. (29.3 x 23 cm.)
sheet: 14 x 10 1/2 in. (35.7 x 26.7 cm.)
Heinrich Kühn (1866-1944)
Study in Tonal Values III (Mary Warner), c. 1910
bromoil transfer print on tissue
various annotations in German in pencil (margin)
image: 11 1/2 x 9 in. (29.3 x 23 cm.)
sheet: 14 x 10 1/2 in. (35.7 x 26.7 cm.)
Study in Tonal Values III (Mary Warner), c. 1910
bromoil transfer print on tissue
various annotations in German in pencil (margin)
image: 11 1/2 x 9 in. (29.3 x 23 cm.)
sheet: 14 x 10 1/2 in. (35.7 x 26.7 cm.)
Andrew Smith Gallery, Santa Fe, New Mexico, 2011.
Rudolf Kicken (ed.), An Exhibition of One Hundred Photographs by Heinrich Kühn, Stefan Lennert Galerie, Munich, 1981, p. 29.
Ulrich Knapp, Heinrich Kühn: Photographien, Residenz/The Museum Moderner Kunst, Vienna, 1988, pl. 40.
Monika Faber and Astrid Mahler (eds.), Heinrich Kühn: The Perfect Photograph, Hatje Cantz/The Albertina, Ostfildern, 2010, pp. 16 and 20.
Monika Faber (ed.), Heinrich Kuehn and his American Circle: Alfred Stieglitz and Edward Steichen, Prestel/Neue Galerie, Munich, London, New York, 2012, p. 83.
Ulrich Knapp, Heinrich Kühn: Photographien, Residenz/The Museum Moderner Kunst, Vienna, 1988, pl. 40.
Monika Faber and Astrid Mahler (eds.), Heinrich Kühn: The Perfect Photograph, Hatje Cantz/The Albertina, Ostfildern, 2010, pp. 16 and 20.
Monika Faber (ed.), Heinrich Kuehn and his American Circle: Alfred Stieglitz and Edward Steichen, Prestel/Neue Galerie, Munich, London, New York, 2012, p. 83.