拍品 355 THE PROPERTY OF A PRIVATE SWISS COLLECTOR

Alexander Archipenko (1887-1964)

Walking

已结束2016年2月3日

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GBP 110,500

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Alexander Archipenko (1887-1964)
Walking
signed, dated, numbered and inscribed '5/8F Archipenko Paris 1912' (on the right) and inscribed 'apres moi viendront des jours quand cette oeuvre guidera et les artistes sculpteront l'espace et le temps' (on the left); stamped with the foundry mark 'Modern Art Fdry NY' (at the back)
bronze with polychrome patina in blue and green
Height: 26 1/2 in. (67.3 cm.)
Conceived in terracotta in 1912; this bronze version cast circa 1968 in an edition of eight

The artist's estate.
Acquired from the above in 1972.
Perls Galleries, New York.
Acquired from the above by the present owner in June 1988.

Y. Goll, T. Däubler & B. Cendrars, Archipenko-Album, Potsdam, 1921 (the terracotta version illustrated pl. 14; titled 'Gehende Frau' and dated '1910').
R. Schacht, "Archipenko, Belling und Westheim", in Der Sturm, vol. 14, no. 5, 1 May 1923, (another cast illustrated p. 75).
E. Wiese, Alexander Archipenko, Leipzig, 1923 (the terracotta version illustrated pl. VII; titled 'Gehende Frau').
A. Archipenko, Archipenko, Fifty Creative Years, 1908-1958, New York, 1960, no. 174 (another cast illustrated).
G. Sangiorgi, “La Pittura Scultorea di Archipenko,“ in Civiltà delle Macchine, vol. XI, n. 5, September-October 1963 (another cast illustrated p. 36).
D.H. Karshan, ed., Archipenko International Visionary, Washington, D.C., 1969, no. 11, p. 114(another cast illustrated p. 42).
N. Wadley, Cubism, New York, 1972, no. 136, p. 123 (another cast illustrated).
A.H. Barr, Jr., Cubism and Abstract Art, New York, 1974, no. 2, p. 204 (the terracotta version illustrated pl. 93; titled 'Walking Woman').
A.E. Elsen, Origins of modern sculpture: pioneers and premises, New York, 1974, no. 120, p. 172 (another cast illustrated pl. 120; titled 'Walking Woman').
D.H. Karshan, Archipenko, The Sculpture and Graphic Art, Tübingen, 1974, pp. 26 & 151 (other casts illustrated).
D.H. Karshan, "Les Revolutions d'Alexandre Archipenko", Plaisir de France 40, July 1974, pp. 12-17 (another cast illustrated pl. 11).
G.H. Hamilton, "Painting and Sculpture in Europe 1880-1940", in The Pelican History of Art, Baltimore, 1975, p. 597 (another cast illustrated pl. 158).
K.J Michaelsen, Archipenko: a study of the early works, 1908-1920, New York & London, 1977 (another cast illustrated pl. S88).
D.H. Karshan, Archipenko, Sculpture, Drawings and Prints, 1908-1963, Danville, Kentucky, 1985, no. 13a, p. 33 (this cast illustrated p. 45).
A. Barth, Alexander Archipenkos plastisches Œuvres, vol. II, Frankfurt-am-Main, 1997, no. 40, p. 86 (another cast illustrated p. 89).
R. Rosenblum, Cubism and the Twentieth Century Art, New York, 2001, p. 343 (another cast illustrated pl. 190; titled 'Walking Woman').

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专家说明

The Archipenko Foundation will include this work in the upcoming catalogue raisonné of sculptures by Alexander Archipenko.

In this historically pivotal subject, Archipenko innovatively uses negative space to emphasize the existence of the form, making this work quintessential in the history of the artist’s production. Walking also encompasses the first known attempt by any sculptor to use convex forms to replace the natural concavities of the human body.

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Alexander Archipenko (1887-1964)

Walking

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Alexander Archipenko (1887-1964)

Walking

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