Carsten Nicolai (b. 1965)
拍品 26PROPERTY FROM AN IMPORTANT EUROPEAN COLLECTION 

Carsten Nicolai (b. 1965)

Milch 10 Hz, 20 Hz, 25 Hz, 40 Hz, 50 Hz, 55 Hz, 75 Hz, 80 Hz, 95 Hz, 110 Hz

成交价

GBP 4,375

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Carsten Nicolai (b. 1965)
Milch 10 Hz, 20 Hz, 25 Hz, 40 Hz, 50 Hz, 55 Hz, 75 Hz, 80 Hz, 95 Hz, 110 Hz
(i) signed, titled, numbered and dated 'Carsten Nicolai Milch 10 Hz 3/5 2005' (on the reverse)
(ii) signed, titled, numbered and dated 'Carsten Nicolai Milch 20 Hz 3/5 2005' (on the reverse)
(iii) signed, titled, numbered and dated 'Carsten Nicolai Milch 25 Hz 3/5 2005' (on the reverse)
(iv) signed, titled, numbered and dated 'Carsten Nicolai Milch 40 Hz 3/5 2005' (on the reverse)
(v) signed, titled, numbered and dated 'Carsten Nicolai Milch 50 Hz 3/5 2005' (on the reverse)
(vi) signed, titled, numbered and dated 'Carsten Nicolai Milch 55 Hz 3/5 2005' (on the reverse)
(vii) signed, titled, numbered and dated 'Carsten Nicolai Milch 75 Hz 3/5 2005' (on the reverse)
(viii) signed, titled, numbered and dated 'Carsten Nicolai Milch 80 Hz 3/5 2005' (on the reverse)
(ix) signed, titled, numbered and dated 'Carsten Nicolai Milch 95 Hz 3/5 2005' (on the reverse)
(x) signed, titled, numbered and dated 'Carsten Nicolai Milch 110 Hz 3/5 2005' (on the reverse)
lambda print face-mounted to Plexiglas, in ten parts
each: 31½ x 26in. (80 x 66cm.)
Executed in 2005, this is work is number three from an edition of five

Galerie Eigen + Art, Berlin.
Acquired from the above by the present owner.

专家说明

'The basis of Milch is a series of experiments, which examines the relationship between order and disorder by means of a liquid surface that is under the influence of different frequency-oscillations. In the test series milk was exposed to sine waves ranging from 10 to 150 Hz. Sound, almost imperceptible to the ear, appears in this test series as a permanently moving visual structure. Herein the direct interrelation between acoustic signals and visual patterns becomes visible. Lower frequencies make liquids start to move. Depending on the frequency, different patterns of movement appear. This complex phenomenon causes an interaction of regular and chaotic patterns that can also be compared with acoustic signal interference in three-dimensional space'
(D. Strauss (ed.), Carsten Nicolai: Static Fades, Zurich 2007, p.13).