.jpg?maxwidth=3840)
拍品 11 |PROPERTY FROM A PRIVATE SWISS COLLECTION
Gabriel Orozco (B. 1962)
De techo a techo (From Roof to Roof)
已结束2013年10月18日
成交价
GBP 40,000
更多信息
Gabriel Orozco (B. 1962)
De techo a techo (From Roof to Roof)
signed, titled, numbered and dated 'DE TECHO A TECHO 5/5 GABRIEL OROZCO 1993' (on the reverse)
silver dye bleach print
sheet: 10 7/8 x 13 7/8in. (27.6 x 35.4cm.)
image: 8 7/8 x 13 3/8in. (22.5 x 34cm.)
Executed in 1993, this work is number five from an edition of five plus two artist's proofs
De techo a techo (From Roof to Roof)
signed, titled, numbered and dated 'DE TECHO A TECHO 5/5 GABRIEL OROZCO 1993' (on the reverse)
silver dye bleach print
sheet: 10 7/8 x 13 7/8in. (27.6 x 35.4cm.)
image: 8 7/8 x 13 3/8in. (22.5 x 34cm.)
Executed in 1993, this work is number five from an edition of five plus two artist's proofs
Gabriel Orozco (B. 1962)
De techo a techo (From Roof to Roof)
signed, titled, numbered and dated 'DE TECHO A TECHO 5/5 GABRIEL OROZCO 1993' (on the reverse)
silver dye bleach print
sheet: 10 7/8 x 13 7/8in. (27.6 x 35.4cm.)
image: 8 7/8 x 13 3/8in. (22.5 x 34cm.)
Executed in 1993, this work is number five from an edition of five plus two artist's proofs
De techo a techo (From Roof to Roof)
signed, titled, numbered and dated 'DE TECHO A TECHO 5/5 GABRIEL OROZCO 1993' (on the reverse)
silver dye bleach print
sheet: 10 7/8 x 13 7/8in. (27.6 x 35.4cm.)
image: 8 7/8 x 13 3/8in. (22.5 x 34cm.)
Executed in 1993, this work is number five from an edition of five plus two artist's proofs
Marian Goodman Gallery, New York.
Acquired from the above by the present owner in 1993.
Acquired from the above by the present owner in 1993.
F. Bonami, 'Back in Five Minutes', in Parkett, no. 48, December 1996 (another from the edition illustrated in colour, p. 43).
Y.-A. Blois (ed.), 'Gabriel Orozco', in October Files, no. 9, Cambridge 2009, p. 142, no. 44 (another from the edition illustrated in colour, p. 143).
Y.-A. Blois (ed.), 'Gabriel Orozco', in October Files, no. 9, Cambridge 2009, p. 142, no. 44 (another from the edition illustrated in colour, p. 143).
London, The South Bank Centre, Hayward Gallery, The Epic & The Everyday, 1994 (another from the edition exhibited, illustrated in colour, unpaged).
Los Angeles, The Museum of Contemporary Art, Gabriel Orozco, 2000-2001, p. 199 (another from the edition exhibited, illustrated in colour, pp. 22-23). This exhibition later travelled to Mexico City, Museo Internacional Rufino Tamayo and Monterrey, Museo de Arte Contemporaneo de Monterrey.
Zurich, Kunsthaus Zürich, Public Affairs. Von Beuys bis Zittel: Das Öffentliche in der Kunst, 2001-2002, no. 61, p. 109.
London, Serpentine Gallery, Gabriel Orozco, 2004, p. 167 (another from the edition exhibited, illustrated in colour, p. 78).
Washington D.C., Hirshhorn Museum and Sculpture Garden, Gabriel Orozco: Extension of Reflection, 2004, p. 169 (another from the edition exhibited, illustrated in colour, p. 55).
Mexico City, Museo del Palacio de Bellas Artes, Gabriel Orozco, 2006-2007, p. 349 (another from the edition exhibited, illustrated in colour, p. 37).
New York, Museum of Modern Art, Gabriel Orozco, 2009-2011, p. 245 (another from the edition exhibited, illustrated in colour, p. 80). This exhibition later travelled to Basel, Kunstmuseum Basel; Paris, Centre Georges Pompidou, Musée national d'art moderne and London, Tate Modern.
Bonn, Kunstmuseum Bonn, Through the Looking Brain: A Swiss Collection of Conceptual Photography, 2011-2012, p. 222 (illustrated in colour, p. 127). This exhibition later travelled to St. Gallen, Kunstmuseum St. Gallen.
Bregenz, Kunsthalle Bregenz, Gabriel Orozco: Natural Motion, 2013 (another from the edition exhibited).
Los Angeles, The Museum of Contemporary Art, Gabriel Orozco, 2000-2001, p. 199 (another from the edition exhibited, illustrated in colour, pp. 22-23). This exhibition later travelled to Mexico City, Museo Internacional Rufino Tamayo and Monterrey, Museo de Arte Contemporaneo de Monterrey.
Zurich, Kunsthaus Zürich, Public Affairs. Von Beuys bis Zittel: Das Öffentliche in der Kunst, 2001-2002, no. 61, p. 109.
London, Serpentine Gallery, Gabriel Orozco, 2004, p. 167 (another from the edition exhibited, illustrated in colour, p. 78).
Washington D.C., Hirshhorn Museum and Sculpture Garden, Gabriel Orozco: Extension of Reflection, 2004, p. 169 (another from the edition exhibited, illustrated in colour, p. 55).
Mexico City, Museo del Palacio de Bellas Artes, Gabriel Orozco, 2006-2007, p. 349 (another from the edition exhibited, illustrated in colour, p. 37).
New York, Museum of Modern Art, Gabriel Orozco, 2009-2011, p. 245 (another from the edition exhibited, illustrated in colour, p. 80). This exhibition later travelled to Basel, Kunstmuseum Basel; Paris, Centre Georges Pompidou, Musée national d'art moderne and London, Tate Modern.
Bonn, Kunstmuseum Bonn, Through the Looking Brain: A Swiss Collection of Conceptual Photography, 2011-2012, p. 222 (illustrated in colour, p. 127). This exhibition later travelled to St. Gallen, Kunstmuseum St. Gallen.
Bregenz, Kunsthalle Bregenz, Gabriel Orozco: Natural Motion, 2013 (another from the edition exhibited).
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.