Joe Bradley (B. 1975)

'At first glance, Joe Bradley's abstract, monochromatic canvases look like experiments in Minimalism; longer viewing, however, reveals surprising levels of figuration and what Bradley calls an 'intentional shoddiness' that points to a dissatisfaction with the narrative of twentieth-century painting. His depictions of people, animals, places, and objects are visually distilled rectangles of color and blocky forms that, hung in sets on the wall, communicate an overall sense of theater and movement. Described by the artist as expressively 'pathetic' takes on heroic, large-scale Colour Field works, they have the primitive feel of ancient totemic sculptures. At the same time, subtle color variations and surface texturing on the flimsy, store-bought canvases belie the fetishized perfection the paintings allude to. By grouping his works as installations, Bradley injects additional character into each piece, letting them interact as families of energized entities Bradley's works refer to multiple modern art movements while exposing the absurdities of the critical systems they borrow from. Though his paintings draw visually from Ellsworth Kelly, Joel Shapiro, and Barry Le Va, the humorous narratives they create lend them an enlightened Pop sensibility.' (T. Dalton quoted in https://whitney.org/www/2008biennial/www/?section=artists&page=artist_br adley).