HIROSHI SUGIMOTO (B. 1948)
拍品 43 PROPERTY OF THE IMAGINALIS COLLECTION, LONDON

HIROSHI SUGIMOTO (B. 1948)

Lake Superior, Cascade River

已结束2011年10月14日

成交价

GBP 217,250

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HIROSHI SUGIMOTO (B. 1948)
Lake Superior, Cascade River
signed 'H Sugimoto' (on a label affixed to the reverse)
gelatin silver print in artist's frame
image: 46½ x 58¾in. (118.1 x 149.2cm.)
overall: 60¼ x 72in. (153 x 182.9cm.)
Executed in 1995, this work is number three from an edition of five

Gallery Koyanagi, Tokyo.
Acquired from the above by the present owner.

专家说明

Executed in 1995, Lake Superior, Cascade River is a serene and technically accomplished photograph by Hiroshi Sugimoto. Internationally acclaimed, this work has a rich exhibition history having previously been installed in major museum shows in Madrid, Lisbon, London, and Tokyo. Created on a striking, large scale, the work reflects the immense grandeur of the open water, stretching out into the distance as it meets the sky. Captured with an old-fashioned large format camera, Sugimoto uses a short exposure measured in fractions of a second to reflect the infinite ripples rolling along the lake's surface, glistening in the light of the moon.

The artist began his series of Seascapes in 1980, photographing bodies of water across the world. They are not geographical depictions however; instead they are attempts to distill onto film the qualities of light, air, water and atmosphere. With its near abstract quality and clean aesthetic, Lake Superior, Cascade River recalls the majestic and soulful, black on black works carried out by Ad Reinhardt and Mark Rothko in the 1960s. It is also hard not to look at Sugimoto's photograph without thinking of Caspar David Friedrich's romantic approach to the watery landscape. Whilst Friedrich invokes the subjective experience of nature however, Sugimoto takes a more dispassionate view. For the artist these are not specific seas or lakes, but rather 'something primordial or from a timeless future, elemental presented at the child-like moment of discovery, as yet unnamed but at the very moment man must name it' (K. Brougher, 'Hiroshi Sugimoto: Memories in Black and White', Sugimoto, exh. cat., Sala de Exposiciones de la Fundacin 'la Caixa', Madrid 1998, p. 134).