Rembrandt Harmensz. van Rijn
The Good Samaritan (B., Holl. 90; H. 101)
etching with engraving, 1633, a fine impression of the rare first state (of four), before the additional shading to the horse's tail and elsewhere, watermark Arms of Burgundy and Austria (cf. Hinterding A-a-a, dated 1632), trimmed just within the image above and below, with two small thin patches and associated minor paper losses at the upper right, a flattened central horizontal crease, a repaired tear at the right sheet edge, the upper right corner replaced and the tips of the upper left and lower right corners re-attached, lesser defects, laid on a thin support
S. 238 x 196 mm.
Rembrandt Harmensz. van Rijn
The Good Samaritan (B., Holl. 90; H. 101)
etching with engraving, 1633, a fine impression of the rare first state (of four), before the additional shading to the horse's tail and elsewhere, watermark Arms of Burgundy and Austria (cf. Hinterding A-a-a, dated 1632), trimmed just within the image above and below, with two small thin patches and associated minor paper losses at the upper right, a flattened central horizontal crease, a repaired tear at the right sheet edge, the upper right corner replaced and the tips of the upper left and lower right corners re-attached, lesser defects, laid on a thin support
S. 238 x 196 mm.
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