.jpg?maxwidth=3840)
Lot 144
EDWARD WESTON (1886–1958)
Dunes, Oceano, 1936
Live Bidding Starts
Estimate
USD 80,000–120,000
More Information
EDWARD WESTON (1886–1958)
Dunes, Oceano, 1936
gelatin silver print, mounted on board, printed 1940s
initialed and dated in pencil (mount, recto); signed, titled, dated, and numbered '47SO' in pencil (mount, verso); credited, titled and dated on affixed High Museum of Art, Chorus of Light: Photographs from the Sir Elton John Collection label (frame backing board)
image/sheet: 7 ½ x 9 ½ in. (19.2 x 24.2 cm.)
mount: 14 1⁄8 x 15 ½ in. (38 x 39.5 cm.)
Dunes, Oceano, 1936
gelatin silver print, mounted on board, printed 1940s
initialed and dated in pencil (mount, recto); signed, titled, dated, and numbered '47SO' in pencil (mount, verso); credited, titled and dated on affixed High Museum of Art, Chorus of Light: Photographs from the Sir Elton John Collection label (frame backing board)
image/sheet: 7 ½ x 9 ½ in. (19.2 x 24.2 cm.)
mount: 14 1⁄8 x 15 ½ in. (38 x 39.5 cm.)
EDWARD WESTON (1886–1958)
Dunes, Oceano, 1936
gelatin silver print, mounted on board, printed 1940s
initialed and dated in pencil (mount, recto); signed, titled, dated, and numbered '47SO' in pencil (mount, verso); credited, titled and dated on affixed High Museum of Art, Chorus of Light: Photographs from the Sir Elton John Collection label (frame backing board)
image/sheet: 7 ½ x 9 ½ in. (19.2 x 24.2 cm.)
mount: 14 1⁄8 x 15 ½ in. (38 x 39.5 cm.)
Dunes, Oceano, 1936
gelatin silver print, mounted on board, printed 1940s
initialed and dated in pencil (mount, recto); signed, titled, dated, and numbered '47SO' in pencil (mount, verso); credited, titled and dated on affixed High Museum of Art, Chorus of Light: Photographs from the Sir Elton John Collection label (frame backing board)
image/sheet: 7 ½ x 9 ½ in. (19.2 x 24.2 cm.)
mount: 14 1⁄8 x 15 ½ in. (38 x 39.5 cm.)
Fahey/Klein Gallery, Los Angeles;
acquired from the above by the present owner.
acquired from the above by the present owner.
Merle Armitage (ed.), Fifty Photographs: Edward Weston, New York, 1947, p. 13.
Ben Maddow, Edward Weston: Fifty Years, Aperture, Millerton, 1973, p. 168.
James Enyeart, Edward Weston's California Landscapes, Little, Brown, Boston, 1984, pl. 15.
Amy Conger, Edward Weston: Photographs, Center for Creative Photography, 1992, fig. 945⁄1936.
Nancy Newhall (ed.), Edward Weston: The Flame of Recognition, New York, 1997, p. 47.
Sarah M. Lowe and Dody W. Thompson, Edward Weston: Life Work: Photographs from the Collection of Judith G. Hochberg and Michael P. Mattis, Lodima Press, Revere, 2003, pl. 72, pp. 131-133.
Jennifer Watts, Edward Weston, A Legacy, The Huntington Library, Los Angeles, 2003, pl. 18.
Ben Maddow, Edward Weston: Fifty Years, Aperture, Millerton, 1973, p. 168.
James Enyeart, Edward Weston's California Landscapes, Little, Brown, Boston, 1984, pl. 15.
Amy Conger, Edward Weston: Photographs, Center for Creative Photography, 1992, fig. 945⁄1936.
Nancy Newhall (ed.), Edward Weston: The Flame of Recognition, New York, 1997, p. 47.
Sarah M. Lowe and Dody W. Thompson, Edward Weston: Life Work: Photographs from the Collection of Judith G. Hochberg and Michael P. Mattis, Lodima Press, Revere, 2003, pl. 72, pp. 131-133.
Jennifer Watts, Edward Weston, A Legacy, The Huntington Library, Los Angeles, 2003, pl. 18.
Atlanta, High Museum of Art, Chorus of Light: Photographs from the Sir Elton John Collection, November 4, 2000– January 28, 2001.