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EDWARD WESTON (1886–1958)
Dunes, Oceano, 1936
gelatin silver print, mounted on board, printed 1940s
initialed and dated in pencil (mount, recto); signed, titled, dated, and numbered '47SO' in pencil (mount, verso); credited, titled and dated on affixed High Museum of Art, Chorus of Light: Photographs from the Sir Elton John Collection label (frame backing board)
image/sheet: 7 ½ x 9 ½ in. (19.2 x 24.2 cm.)
mount: 14 1⁄8 x 15 ½ in. (38 x 39.5 cm.)
Dunes, Oceano, 1936
gelatin silver print, mounted on board, printed 1940s
initialed and dated in pencil (mount, recto); signed, titled, dated, and numbered '47SO' in pencil (mount, verso); credited, titled and dated on affixed High Museum of Art, Chorus of Light: Photographs from the Sir Elton John Collection label (frame backing board)
image/sheet: 7 ½ x 9 ½ in. (19.2 x 24.2 cm.)
mount: 14 1⁄8 x 15 ½ in. (38 x 39.5 cm.)
EDWARD WESTON (1886–1958)
Dunes, Oceano, 1936
gelatin silver print, mounted on board, printed 1940s
initialed and dated in pencil (mount, recto); signed, titled, dated, and numbered '47SO' in pencil (mount, verso); credited, titled and dated on affixed High Museum of Art, Chorus of Light: Photographs from the Sir Elton John Collection label (frame backing board)
image/sheet: 7 ½ x 9 ½ in. (19.2 x 24.2 cm.)
mount: 14 1⁄8 x 15 ½ in. (38 x 39.5 cm.)
Dunes, Oceano, 1936
gelatin silver print, mounted on board, printed 1940s
initialed and dated in pencil (mount, recto); signed, titled, dated, and numbered '47SO' in pencil (mount, verso); credited, titled and dated on affixed High Museum of Art, Chorus of Light: Photographs from the Sir Elton John Collection label (frame backing board)
image/sheet: 7 ½ x 9 ½ in. (19.2 x 24.2 cm.)
mount: 14 1⁄8 x 15 ½ in. (38 x 39.5 cm.)
Fahey/Klein Gallery, Los Angeles;
acquired from the above by the present owner.
acquired from the above by the present owner.
Merle Armitage (ed.), Fifty Photographs: Edward Weston, New York, 1947, p. 13.
Ben Maddow, Edward Weston: Fifty Years, Aperture, Millerton, 1973, p. 168.
James Enyeart, Edward Weston's California Landscapes, Little, Brown, Boston, 1984, pl. 15.
Amy Conger, Edward Weston: Photographs, Center for Creative Photography, 1992, fig. 945⁄1936.
Nancy Newhall (ed.), Edward Weston: The Flame of Recognition, New York, 1997, p. 47.
Sarah M. Lowe and Dody W. Thompson, Edward Weston: Life Work: Photographs from the Collection of Judith G. Hochberg and Michael P. Mattis, Lodima Press, Revere, 2003, pl. 72, pp. 131-133.
Jennifer Watts, Edward Weston, A Legacy, The Huntington Library, Los Angeles, 2003, pl. 18.
Ben Maddow, Edward Weston: Fifty Years, Aperture, Millerton, 1973, p. 168.
James Enyeart, Edward Weston's California Landscapes, Little, Brown, Boston, 1984, pl. 15.
Amy Conger, Edward Weston: Photographs, Center for Creative Photography, 1992, fig. 945⁄1936.
Nancy Newhall (ed.), Edward Weston: The Flame of Recognition, New York, 1997, p. 47.
Sarah M. Lowe and Dody W. Thompson, Edward Weston: Life Work: Photographs from the Collection of Judith G. Hochberg and Michael P. Mattis, Lodima Press, Revere, 2003, pl. 72, pp. 131-133.
Jennifer Watts, Edward Weston, A Legacy, The Huntington Library, Los Angeles, 2003, pl. 18.
Atlanta, High Museum of Art, Chorus of Light: Photographs from the Sir Elton John Collection, November 4, 2000– January 28, 2001.