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Lot 133
SARAH LUCAS (B. 1962)
Get off your Horse and Drink your Milk
Fermé12 March 2024
Prix réalisé
GBP 17,640
Plus d'informations
SARAH LUCAS (B. 1962)
Lucas, S.
Get off your Horse and Drink your Milk
c-prints on board, in four parts
each image: 33 x 33in. (84 x 84cm.)
each sheet: 39 ¾ x 39 ¾in. (101 x 101cm.)
Executed in 1994, this work is number two from an edition of three plus one artist's proof.
Lucas, S.
Get off your Horse and Drink your Milk
c-prints on board, in four parts
each image: 33 x 33in. (84 x 84cm.)
each sheet: 39 ¾ x 39 ¾in. (101 x 101cm.)
Executed in 1994, this work is number two from an edition of three plus one artist's proof.
SARAH LUCAS (B. 1962)
Lucas, S.
Get off your Horse and Drink your Milk
c-prints on board, in four parts
each image: 33 x 33in. (84 x 84cm.)
each sheet: 39 ¾ x 39 ¾in. (101 x 101cm.)
Executed in 1994, this work is number two from an edition of three plus one artist's proof.
Lucas, S.
Get off your Horse and Drink your Milk
c-prints on board, in four parts
each image: 33 x 33in. (84 x 84cm.)
each sheet: 39 ¾ x 39 ¾in. (101 x 101cm.)
Executed in 1994, this work is number two from an edition of three plus one artist's proof.
Sadie Coles HQ, London.
Private Collection, Switzerland (acquired from the above in 2000).
Anon. sale, Christie's London, 19 October 2013, lot 239.
Private Collection, London (acquired at the above sale).
Jason Haam, Seoul.
Acquired from the above by the present owner in 2019.
Private Collection, Switzerland (acquired from the above in 2000).
Anon. sale, Christie's London, 19 October 2013, lot 239.
Private Collection, London (acquired at the above sale).
Jason Haam, Seoul.
Acquired from the above by the present owner in 2019.
J. V. Aliaga, Bajo Vientre: Represetaciones de la sexualidad en la cultura y el arte contemporáneos, Seville 1997, p. 107, fig. 16 (another version illustrated, p. 108).
L. Buck, Moving Targets 2: A User’s Guide to British Art Now, London 2000, p. 76.
Sarah Lucas: autoretrats i més sexe, exh. cat., Barcelona, Centre Cultural Tecla Sala, 2000-2001 (illustrated, p. 16).
D. Hopkins, Dada and Surrealism: A Very Short Introduction, New York 2004, pp. vii, 150, no. 1 (illustrated, p. xvi)
G. Perry (ed.), Difference and Excess in Contemporary Art: The Visibility of Women’s Practice, Oxford 2004, pp. 40 and 181, no. 2.13 (illustrated, p. 41).
Sarah Lucas: Exhibitions and Catalogue Raisonné 1989-2005, exh. cat., Zurich, Kunsthalle Zurich, 2005 (another from the edition illustrated, p. 129).
C. Cotton, The Photograph as Contemporary Art, London 2008, p. 244, no. 32 (illustrated in colour, p. 38).
G. Burn, Sex & Violence, Death & Silence. Encounters with Recent Art, London 2009, p. 370.
G. Whiteley, Junk: Art and the Politics of Trash, New York 2011, p. 100.
M. Gessen, Words Will Break Cement: The Passion of Pussy Riot, New York 2014, p. 62.
L. Buck, Moving Targets 2: A User’s Guide to British Art Now, London 2000, p. 76.
Sarah Lucas: autoretrats i més sexe, exh. cat., Barcelona, Centre Cultural Tecla Sala, 2000-2001 (illustrated, p. 16).
D. Hopkins, Dada and Surrealism: A Very Short Introduction, New York 2004, pp. vii, 150, no. 1 (illustrated, p. xvi)
G. Perry (ed.), Difference and Excess in Contemporary Art: The Visibility of Women’s Practice, Oxford 2004, pp. 40 and 181, no. 2.13 (illustrated, p. 41).
Sarah Lucas: Exhibitions and Catalogue Raisonné 1989-2005, exh. cat., Zurich, Kunsthalle Zurich, 2005 (another from the edition illustrated, p. 129).
C. Cotton, The Photograph as Contemporary Art, London 2008, p. 244, no. 32 (illustrated in colour, p. 38).
G. Burn, Sex & Violence, Death & Silence. Encounters with Recent Art, London 2009, p. 370.
G. Whiteley, Junk: Art and the Politics of Trash, New York 2011, p. 100.
M. Gessen, Words Will Break Cement: The Passion of Pussy Riot, New York 2014, p. 62.
Frankfurt, Portikus Frankfurt, Sarah Lucas, 1996, p. 19 (another from the edition, installation view illustrated in colour, pp.11-13).
Rotterdam, Museum Boijmans-Van Beuningen, Sarah Lucas, 1996, p. 62 (another from the edition, illustrated, p. 49).
Helsinki, Museum of Contemporary Art / Finnish National Gallery, ARS95 Helsinki: Private/Public, 1995, pp. 210-211, no. 119 (another from the edition, illustrated in colour).
Rotterdam, Museum Boijmans-Van Beuningen, Sarah Lucas, 1996, p. 62 (another from the edition, illustrated, p. 49).
Helsinki, Museum of Contemporary Art / Finnish National Gallery, ARS95 Helsinki: Private/Public, 1995, pp. 210-211, no. 119 (another from the edition, illustrated in colour).
Please note the reserve is at 10,000 GBP.