REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
Lot 60

REMBRANDT HARMENSZ. VAN RIJN (1606-1669)

A Peasant calling out: ‘Tis vinnich kout'; & A Peasant replying: ‘Dats Niet’

Closed7 December 2023

Price Realised

GBP 40,320

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REMBRANDT HARMENSZ. VAN RIJN (1606-1669)
A Peasant calling out: ‘Tis vinnich kout'; & A Peasant replying: ‘Dats Niet
the pair of etchings
1634
on laid paper, one without watermark, the other with watermark fragment, probably Arms of Württemberg (Hinterding A.a.c.)
very fine, strong and uniform impressions
with thread margins
in very good condition
Plate 113 x 43 mm., Sheet 114 x 45 mm.
Plate 112 x 38 mm., Sheet 114 x 39 mm.
(2)

Unidentified (early to mid-18th century), England or Netherlands (Lugt 2923b).
Unidentified (Lugt 5702; these impressions cited).
Richard Dawnay, 10th Viscount Downe (1903-1965), Wykeham Abbey, Yorkshire (Lugt 719a); his posthumous sale, Sotheby's, London, 7 December 1972, lot 158 (£ 1,800; to Ira Gale).
With Mayfair Kunst A.G. (Ira Gale), Zug.
Sam Josefowitz (Lugt 6094); acquired from the above in 1973; then by descent to the present owners.

Specialist note

This whimsical and charming couple of etchings is the only true pair of pendants in Rembrandt’s oeuvre. They are also the only prints with any text etched on the plates, apart from the artist’s signature and dates.
The two men, each taking up most of their narrow plate, are depicted standing outdoors, dressed in patched-up rags. For symmetry and to create a sense of depth, Rembrandt has added a small figure to the background of each plate. The first man, slightly hunched over and with a grumpy expression exclaims Tis vinnich kout (‘It’s bitter cold’); the second, with his hands folded leisurely behind his back and smiling, answers Dats’ niet (‘That’s nothing’).
It is a jokey exchange of the kind that strangers have and laugh about in the street. The scene is beautifully observed and has a distinctly ‘Dutch’ feel about it – and yet it is not Rembrandt’s invention. A pair of prints by the German engraver Hans Sebald Beham (1500-1550), known as the ‘Weather Peasants’ (Hollstein 189 & 190), show very much the same repartee, with one saying ‘The weather is cold’ and the other replying ‘It does no harm’ in German. It is very likely that Rembrandt, himself a keen collector of prints, would have known and perhaps even owned a pair of Beham’s tiny engravings. He even adopted some details, such as hands clasped behind the back and the purse at the side for the man standing on the right, from Beham.
Interestingly, as Nicholas Stogdon mentions, the set in the Lugt Collection is printed and preserved on one sheet of paper, but with the two men facing each other. Their position seems more natural, but is against the sequence of the dialogue. It seems that when etching the two plates Rembrandt got confused with the direction of the images on the plates, and thus ended up with the figures standing back to back.
The very fine and uniform present set comes from two so far unidentified 18th century collections. The tiny round punch mark is occasionally found on 17th century Dutch drawings and some prints by Rembrandt, usually very fine examples.