WILLIAM KENTRIDGE (b. 1955)

‘They started off as two dimensional black torn shapes of horses in paper, which became three dimensional table top equestrian sculptures, and later they were the basis of a large scale tapestries of the Nose on his horse going through different European countries. So it existed as tapestries, as bronzes, as etchings that I was using to think through different adventures and different iterations of the Nose, while working on the opera project.’ WILLIAM KENTRIDGE