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Lot 123 |Visionary: The Paul G. Allen Collection
PAUL KLEE (1879-1940)
Schlussbild einer Tragikomödie
Closed10 November 2022
Price Realised
USD 214,200
More Information
PAUL KLEE (1879-1940)
Schlussbild einer Tragikomödie
signed 'Klee' (lower right); dated, titled and numbered ‘1923 144 Schluss Bild Einer Tragikomödie III’ (on the mount)
oil transfer, gouache and watercolor on gesso-prepared paper mounted by the artist on painted card
Sheet size: 10 x 13 3/4 in. (25.2 x 35 cm.)
Mount size: 11 7/8 x 14 7/8 in. (30 x 37.8 cm.)
Executed in 1923
Schlussbild einer Tragikomödie
signed 'Klee' (lower right); dated, titled and numbered ‘1923 144 Schluss Bild Einer Tragikomödie III’ (on the mount)
oil transfer, gouache and watercolor on gesso-prepared paper mounted by the artist on painted card
Sheet size: 10 x 13 3/4 in. (25.2 x 35 cm.)
Mount size: 11 7/8 x 14 7/8 in. (30 x 37.8 cm.)
Executed in 1923
PAUL KLEE (1879-1940)
Schlussbild einer Tragikomödie
signed 'Klee' (lower right); dated, titled and numbered ‘1923 144 Schluss Bild Einer Tragikomödie III’ (on the mount)
oil transfer, gouache and watercolor on gesso-prepared paper mounted by the artist on painted card
Sheet size: 10 x 13 3/4 in. (25.2 x 35 cm.)
Mount size: 11 7/8 x 14 7/8 in. (30 x 37.8 cm.)
Executed in 1923
Schlussbild einer Tragikomödie
signed 'Klee' (lower right); dated, titled and numbered ‘1923 144 Schluss Bild Einer Tragikomödie III’ (on the mount)
oil transfer, gouache and watercolor on gesso-prepared paper mounted by the artist on painted card
Sheet size: 10 x 13 3/4 in. (25.2 x 35 cm.)
Mount size: 11 7/8 x 14 7/8 in. (30 x 37.8 cm.)
Executed in 1923
Galerie Neumann-Nierendorf, Berlin.
Karl Nierendorf, New York.
Katherine Dreier, New York (1926, until 1942).
Philip C. Johnson, New York (by 1943).
Andy Warhol, New York (acquired from the above, 1952); sale, Sotheby's, New York, 29-30 April 1988, lot 2853.
Heinz Berggruen, Paris (1988, until 1990).
Anon. sale, Sotheby's, New York, 11 May 2000, lot 241.
Acquired at the above sale by the late owner.
Karl Nierendorf, New York.
Katherine Dreier, New York (1926, until 1942).
Philip C. Johnson, New York (by 1943).
Andy Warhol, New York (acquired from the above, 1952); sale, Sotheby's, New York, 29-30 April 1988, lot 2853.
Heinz Berggruen, Paris (1988, until 1990).
Anon. sale, Sotheby's, New York, 11 May 2000, lot 241.
Acquired at the above sale by the late owner.
W. Grohmann, "Paul Klee 1923-1924“ in Der Cicerone, 1924, p. 792.
A.H. Barr, Jr., Painting and Sculpture in the Museum of Modern Art, 1929-1967, New York, 1977 p. 607 (with incorrect medium).
J. Glaesemer, Paul Klee. Handzeichnungen II, 1921-1936, Bern, 1984, p. 21 (illustrated; with incomplete medium and incorrect provenance).
R.L. Herbert, E.S. Apter and E.K. Kenney, eds., The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue Raisonné, New Haven, 1984, p. 772.
The Paul Klee Foundation, ed., Paul Klee: Catalogue Raisonné, 1923-1926, Bern, 1999, vol. 4, p. 109, no. 3238 (illustrated).
A.H. Barr, Jr., Painting and Sculpture in the Museum of Modern Art, 1929-1967, New York, 1977 p. 607 (with incorrect medium).
J. Glaesemer, Paul Klee. Handzeichnungen II, 1921-1936, Bern, 1984, p. 21 (illustrated; with incomplete medium and incorrect provenance).
R.L. Herbert, E.S. Apter and E.K. Kenney, eds., The Société Anonyme and the Dreier Bequest at Yale University: A Catalogue Raisonné, New Haven, 1984, p. 772.
The Paul Klee Foundation, ed., Paul Klee: Catalogue Raisonné, 1923-1926, Bern, 1999, vol. 4, p. 109, no. 3238 (illustrated).
Dresden, Galerie Neue Kunst Fides, Paul Klee, 1924.
Munich, Galerie Neue Kunst Hans Goltz, Paul Klee Zweite Gesamtausstellung 1920-1925, May-June 1925, no. 102.
Kunsthalle Bern, Der grosse Bär, Paul Klee, Paul Eichenberger, Dora Lauterburg, Robert Schmitz, 1925, no. 101.
New York, The Brooklyn Museum, International Exhibition of Modern Art, November 1926-January 1927, no. 224 (with incomplete medium).
New York, The Museum of Modern Art, 1943 (on loan).
Geneva, Musée d'art et d'histoire, Berggruen Collection, June-October 1988, p. 116, no. 42 (illustrated in color, p. 117).
Kunsthalle Tübingen and London, Tate Gallery, Paul Klee: Die Sammlung Berggruen im Metropolitan Museum of Art, New York und im Musée National d’Art Moderne, Paris, January-August 1989 (illustrated in color).
Munich, Galerie Neue Kunst Hans Goltz, Paul Klee Zweite Gesamtausstellung 1920-1925, May-June 1925, no. 102.
Kunsthalle Bern, Der grosse Bär, Paul Klee, Paul Eichenberger, Dora Lauterburg, Robert Schmitz, 1925, no. 101.
New York, The Brooklyn Museum, International Exhibition of Modern Art, November 1926-January 1927, no. 224 (with incomplete medium).
New York, The Museum of Modern Art, 1943 (on loan).
Geneva, Musée d'art et d'histoire, Berggruen Collection, June-October 1988, p. 116, no. 42 (illustrated in color, p. 117).
Kunsthalle Tübingen and London, Tate Gallery, Paul Klee: Die Sammlung Berggruen im Metropolitan Museum of Art, New York und im Musée National d’Art Moderne, Paris, January-August 1989 (illustrated in color).
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.