A PAIR OF GEORGE III GILTWOOD ARMCHAIRS
Lot 539

A PAIR OF GEORGE III GILTWOOD ARMCHAIRS

CIRCA 1765, IN THE MANNER OF THOMAS CHIPPENDALE

Closed23 October 2022

Price Realised

USD 378,000

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A PAIR OF GEORGE III GILTWOOD ARMCHAIRS
CIRCA 1765, IN THE MANNER OF THOMAS CHIPPENDALE
Each with rectangular back, curved arms and serpentine seat covered in Italian deep blue silk cut-velvet and uncut velvet, circa 1740, above a foliate-carved seat-rail on cabriole legs, with printed and inscribed Ann and Gordon Getty Collection inventory label
39 in. (99 cm.) high, 24 3/4 in. (63 cm.) wide, 20 1/2 in. (52 cm.) deep

Commissioned by Sir William Lee, 4th Bt., for the Drawing Room at Hartwell House, Buckinghamshire.
By descent to Mrs. Benedict Eyre, Hartwell House, Buckinghamshire.
The Valuable Contents of Hartwell House, near Aylesbury, Buckinghamshire, Sold by Order of the Trustees of Mrs. Benedict Eyre; Sotheby's, house sale, 26-28 April 1938, lot 121.
The Property of a Lady; Christie's, London, 9 July 1992, lot 60.
Acquired by Ann and Gordon Getty from the above.
The fabric acquired from Cora Ginsberg, New York by Ann and Gordon Getty in 2017.

Specialist note

This pair of chairs formed part of a suite of settees and armchairs commissioned by Sir Willam Lee, 4th Bt. (d. 1799) in the early 1760s for his drawing room at Hartwell House, near Aylesbury, Buckinghamshire, which was designed by the architect Henry Keene (d. 1776), Surveyor of Westminster Abbey. Bearing many stylistic similarities to Louis XV seat furniture, the serpentine frames with scalloped tops to the seat rails and scrolling acanthus ornamentation relate closely to designs for 'French Chairs' reproduced in plates XXII and XXIII in the 1763 edition of Thomas Chippendale's (d. 1779) widely circulated pattern-book, The Gentleman and Cabinet-Maker's Director. Likewise, the delicately outward scrolling arms of these chairs can be seen in plate XXX. Representative of the fashion for the rococo in England during this time, these chairs also reflect the importance placed on the harmony between the interior architectural decoration of a room and its furnishings. When considered in the context of the interiors at Hartwell House, the scallop shells and Roman acanthus foliage adorning the knees correspond to the drawing room's richly stuccoed cornice, serving to enhance the classical motifs which would have been understood and appreciated by the 18th century viewer.