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Lot 676|PROPERTY FROM AN IMPORTANT PRIVATE COLLECTION
CHRIS OFILI (B. 1968)
Bound and Gagged (Blue)
Fermé1 July 2022
Prix réalisé
GBP 44,100
Plus d'informations
CHRIS OFILI (B. 1968)
Bound and Gagged (Blue)
incised with the artist's signature, numbered and stamped with the artist's foundry mark 'CHRIS OFILI 3⁄3 HNOACK BERLIN' (on the base)
painted bronze on artist's plinth
sculpture: 23 1⁄2 x 13 5⁄8 x 14 5⁄8in. (59.8 x 40 x 37cm.)
overall: 62 1⁄2 x 17 3⁄4 x 15 3⁄4in. (159.8 x 45 x 40cm.)
Executed in 2005, this work is number three from an edition of three plus two artist's proofs
Bound and Gagged (Blue)
incised with the artist's signature, numbered and stamped with the artist's foundry mark 'CHRIS OFILI 3⁄3 HNOACK BERLIN' (on the base)
painted bronze on artist's plinth
sculpture: 23 1⁄2 x 13 5⁄8 x 14 5⁄8in. (59.8 x 40 x 37cm.)
overall: 62 1⁄2 x 17 3⁄4 x 15 3⁄4in. (159.8 x 45 x 40cm.)
Executed in 2005, this work is number three from an edition of three plus two artist's proofs
CHRIS OFILI (B. 1968)
Bound and Gagged (Blue)
incised with the artist's signature, numbered and stamped with the artist's foundry mark 'CHRIS OFILI 3⁄3 HNOACK BERLIN' (on the base)
painted bronze on artist's plinth
sculpture: 23 1⁄2 x 13 5⁄8 x 14 5⁄8in. (59.8 x 40 x 37cm.)
overall: 62 1⁄2 x 17 3⁄4 x 15 3⁄4in. (159.8 x 45 x 40cm.)
Executed in 2005, this work is number three from an edition of three plus two artist's proofs
Bound and Gagged (Blue)
incised with the artist's signature, numbered and stamped with the artist's foundry mark 'CHRIS OFILI 3⁄3 HNOACK BERLIN' (on the base)
painted bronze on artist's plinth
sculpture: 23 1⁄2 x 13 5⁄8 x 14 5⁄8in. (59.8 x 40 x 37cm.)
overall: 62 1⁄2 x 17 3⁄4 x 15 3⁄4in. (159.8 x 45 x 40cm.)
Executed in 2005, this work is number three from an edition of three plus two artist's proofs
James Lofton Collection, California.
Acquired from the above by the present owner in 2011.
Acquired from the above by the present owner in 2011.
C. Becker, Chris Ofili, New York 2009, p. 266 (another edition illustrated in colour, p. 199).
Berlin, Contemporary Fine Arts, Chris Ofili: The Blue Rider, 2005, p. 106 (another edition illustrated in colour in the artist’s studio, p. 30; another edition illustrated in colour, p. 31).
Hanover, kestnergesellschaft, Chris Ofili: The Blue Rider Extended Remix, 2006, p. 176 (another from the edition illustrated in colour in the artist's studio, p. 32; another edition illustrated in colour, p. 33).
New York, David Zwirner, Chris Ofili: Devil's Pie, 2007, fig. 1 (another edition illustrated in colour, unpaged).
Vienna, Kunsthalle Wien, True Romance, 2007-2008 (another from the edition exhibited). This exhibition later travelled to Munich, Museum Villa Stuck and Kiel, Kunsthalle zu Kiel.
Hanover, kestnergesellschaft, Chris Ofili: The Blue Rider Extended Remix, 2006, p. 176 (another from the edition illustrated in colour in the artist's studio, p. 32; another edition illustrated in colour, p. 33).
New York, David Zwirner, Chris Ofili: Devil's Pie, 2007, fig. 1 (another edition illustrated in colour, unpaged).
Vienna, Kunsthalle Wien, True Romance, 2007-2008 (another from the edition exhibited). This exhibition later travelled to Munich, Museum Villa Stuck and Kiel, Kunsthalle zu Kiel.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
This lot has been imported from outside of the UK for sale and placed under the Temporary Admission regime. Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.