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Lot 481 |PROPERTY FROM A PRIVATE GERMAN COLLECTION
SERGE CHARCHOUNE (1888-1975)
Cubisme Ornamentale no. 2
Closed4 March 2022
Price Realised
GBP 63,000
More Information
SERGE CHARCHOUNE (1888-1975)
Cubisme Ornamentale no. 2
signed 'SCharchoune' (lower right) and signed in Cyrillic (lower left)
oil on board
13 3⁄8 x 18 1⁄2 in. (33.9 x 47.6 cm.)
Painted in 1922
A collection’s many journeys
The works in this family collection were carefully brought together by a passionate collector and enthusiast of the arts over a period of almost thirty years, starting in the early 1960s. Works were bought after much consideration from a few trusted gallerists, occasionally at auction, or, wherever possible, from the artists themselves. Treasures that artists including Hannah Hoch and Walter Dexel had hidden during the Second World War were finally purchased with a combination of money and charm after much discussion of their respective merits. Emerging artists including Richard Oelze and Friedensreich Hundertwasser were supported with, for example, the occasional purchase of a work. The collector would drive through the night across Germany and Switzerland to visit artist friends, attend museum openings or view auction previews. Each new purchase was shown to the family and explained and discussed before finding its place on the walls of the family home. This was not investment, this was a ceaseless passion. The collection was to be enjoyed, on the walls of the family home, and also by the general public – no museum loan request was declined and as the reputation of the rarities in this private collection grew, more museum loan requests would follow. There was a constant stream of shippers arriving at the door collecting loans for museums across Germany and the United States. The collection’s journey has continued for another thirty years in the hands of the collector’s family after his passing. Some of the masterpieces in the collection found their way to prestigious museum collections and others are now being sold, so that they can continue on the next phase of their journey.
Cubisme Ornamentale no. 2
signed 'SCharchoune' (lower right) and signed in Cyrillic (lower left)
oil on board
13 3⁄8 x 18 1⁄2 in. (33.9 x 47.6 cm.)
Painted in 1922
A collection’s many journeys
The works in this family collection were carefully brought together by a passionate collector and enthusiast of the arts over a period of almost thirty years, starting in the early 1960s. Works were bought after much consideration from a few trusted gallerists, occasionally at auction, or, wherever possible, from the artists themselves. Treasures that artists including Hannah Hoch and Walter Dexel had hidden during the Second World War were finally purchased with a combination of money and charm after much discussion of their respective merits. Emerging artists including Richard Oelze and Friedensreich Hundertwasser were supported with, for example, the occasional purchase of a work. The collector would drive through the night across Germany and Switzerland to visit artist friends, attend museum openings or view auction previews. Each new purchase was shown to the family and explained and discussed before finding its place on the walls of the family home. This was not investment, this was a ceaseless passion. The collection was to be enjoyed, on the walls of the family home, and also by the general public – no museum loan request was declined and as the reputation of the rarities in this private collection grew, more museum loan requests would follow. There was a constant stream of shippers arriving at the door collecting loans for museums across Germany and the United States. The collection’s journey has continued for another thirty years in the hands of the collector’s family after his passing. Some of the masterpieces in the collection found their way to prestigious museum collections and others are now being sold, so that they can continue on the next phase of their journey.
SERGE CHARCHOUNE (1888-1975)
Cubisme Ornamentale no. 2
signed 'SCharchoune' (lower right) and signed in Cyrillic (lower left)
oil on board
13 3⁄8 x 18 1⁄2 in. (33.9 x 47.6 cm.)
Painted in 1922
A collection’s many journeys
The works in this family collection were carefully brought together by a passionate collector and enthusiast of the arts over a period of almost thirty years, starting in the early 1960s. Works were bought after much consideration from a few trusted gallerists, occasionally at auction, or, wherever possible, from the artists themselves. Treasures that artists including Hannah Hoch and Walter Dexel had hidden during the Second World War were finally purchased with a combination of money and charm after much discussion of their respective merits. Emerging artists including Richard Oelze and Friedensreich Hundertwasser were supported with, for example, the occasional purchase of a work. The collector would drive through the night across Germany and Switzerland to visit artist friends, attend museum openings or view auction previews. Each new purchase was shown to the family and explained and discussed before finding its place on the walls of the family home. This was not investment, this was a ceaseless passion. The collection was to be enjoyed, on the walls of the family home, and also by the general public – no museum loan request was declined and as the reputation of the rarities in this private collection grew, more museum loan requests would follow. There was a constant stream of shippers arriving at the door collecting loans for museums across Germany and the United States. The collection’s journey has continued for another thirty years in the hands of the collector’s family after his passing. Some of the masterpieces in the collection found their way to prestigious museum collections and others are now being sold, so that they can continue on the next phase of their journey.
Cubisme Ornamentale no. 2
signed 'SCharchoune' (lower right) and signed in Cyrillic (lower left)
oil on board
13 3⁄8 x 18 1⁄2 in. (33.9 x 47.6 cm.)
Painted in 1922
A collection’s many journeys
The works in this family collection were carefully brought together by a passionate collector and enthusiast of the arts over a period of almost thirty years, starting in the early 1960s. Works were bought after much consideration from a few trusted gallerists, occasionally at auction, or, wherever possible, from the artists themselves. Treasures that artists including Hannah Hoch and Walter Dexel had hidden during the Second World War were finally purchased with a combination of money and charm after much discussion of their respective merits. Emerging artists including Richard Oelze and Friedensreich Hundertwasser were supported with, for example, the occasional purchase of a work. The collector would drive through the night across Germany and Switzerland to visit artist friends, attend museum openings or view auction previews. Each new purchase was shown to the family and explained and discussed before finding its place on the walls of the family home. This was not investment, this was a ceaseless passion. The collection was to be enjoyed, on the walls of the family home, and also by the general public – no museum loan request was declined and as the reputation of the rarities in this private collection grew, more museum loan requests would follow. There was a constant stream of shippers arriving at the door collecting loans for museums across Germany and the United States. The collection’s journey has continued for another thirty years in the hands of the collector’s family after his passing. Some of the masterpieces in the collection found their way to prestigious museum collections and others are now being sold, so that they can continue on the next phase of their journey.
Galerie Der Sturm [Herwath Walden], Berlin, by September 1922.
Galerie Gmurzynska, Cologne.
Private collection, North Germany.
Galerie Gmurzynska, Cologne.
Private collection, North Germany.
Berlin, Galerie Der Sturm, Hundertelfte Ausstellung, Serge Charchoune, Helene Grünhoff, Sturm-Gesamtschau, September 1922, no. 2 (titled 'Cubisme Ornemental 2 (Automobil)').
Berlin, Kustverein Berlin, Avantgarde Osteuropa 1910 1930, October - November 1967, no. 61, p. 72 (illustrated p. 69; titled 'Ornamentaler Kubismum' and dated 'circa 1922').
Cologne, Galerie Gmurzynska-Bargera, Osteuropäische Avantgarde (bis 1930), October 1970 - January 1971, no. 20.
Berlin, Kustverein Berlin, Avantgarde Osteuropa 1910 1930, October - November 1967, no. 61, p. 72 (illustrated p. 69; titled 'Ornamentaler Kubismum' and dated 'circa 1922').
Cologne, Galerie Gmurzynska-Bargera, Osteuropäische Avantgarde (bis 1930), October 1970 - January 1971, no. 20.
Pierre Guénégan has confirmed the authenticity of this work.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.