.jpg?maxwidth=3840)
Lot 102
ANSEL ADAMS (1902–1984)
Moonrise, Hernandez, New Mexico, 1941
Closed6 October 2021
Price Realised
USD 50,000
More Information
ANSEL ADAMS (1902–1984)
Moonrise, Hernandez, New Mexico, 1941
gelatin silver print, mounted on board, printed 1973-1977
signed in pencil (mount, recto); credited, titled and dated in ink in photographer's Carmel credit stamp [BMFA stamp 11] (mount, verso)
image/sheet: 15 1/2 x 19 1/2 in. (39.3 x 49.5 cm.)
mount: 24 5/8 x 28 in. (62.5 x 71.1 cm.)
Moonrise, Hernandez, New Mexico, 1941
gelatin silver print, mounted on board, printed 1973-1977
signed in pencil (mount, recto); credited, titled and dated in ink in photographer's Carmel credit stamp [BMFA stamp 11] (mount, verso)
image/sheet: 15 1/2 x 19 1/2 in. (39.3 x 49.5 cm.)
mount: 24 5/8 x 28 in. (62.5 x 71.1 cm.)
ANSEL ADAMS (1902–1984)
Moonrise, Hernandez, New Mexico, 1941
gelatin silver print, mounted on board, printed 1973-1977
signed in pencil (mount, recto); credited, titled and dated in ink in photographer's Carmel credit stamp [BMFA stamp 11] (mount, verso)
image/sheet: 15 1/2 x 19 1/2 in. (39.3 x 49.5 cm.)
mount: 24 5/8 x 28 in. (62.5 x 71.1 cm.)
Moonrise, Hernandez, New Mexico, 1941
gelatin silver print, mounted on board, printed 1973-1977
signed in pencil (mount, recto); credited, titled and dated in ink in photographer's Carmel credit stamp [BMFA stamp 11] (mount, verso)
image/sheet: 15 1/2 x 19 1/2 in. (39.3 x 49.5 cm.)
mount: 24 5/8 x 28 in. (62.5 x 71.1 cm.)
Lunn Gallery, Washington, D.C.;
acquired from the above by the late owner, 1970s.
acquired from the above by the late owner, 1970s.
Ansel Adams, Photographs of the Southwest, New York Graphic Society, Boston, 1966, pl. 55.
James Alinder, Ansel Adams, 1902-1984, The Friends of Photography, Carmel, 1984, p. 55.
Andrea G. Stillman, Ansel Adams: Letters and Images 1916-1984, Little, Brown and Co., Boston, 1988, p. 142.
Ansel Adams, Examples: The Making of 40 Photographs, Little, Brown and Co., New York, 1989, cover, p. 40.
John Szarkowski, Ansel Adams at 100, San Francisco Museum of Modern Art/Little, Brown and Co., Boston, 2001, pl. 96.
Anne Hammond, Ansel Adams, Divine Performance, Yale University Press, New Haven, 2002, p. 94, fig. 4.10.
Karen E. Haas and Rebecca A. Senf, Ansel Adams in the Lane Collection, Museum of Fine Arts, Boston, 2005, pl. 37, p. 68.
Andrea G. Stillman (ed.), Looking at Ansel Adams: The Photographs and the Man, Little, Brown and Co., New York, 2012, p. 114.
James Alinder, Ansel Adams, 1902-1984, The Friends of Photography, Carmel, 1984, p. 55.
Andrea G. Stillman, Ansel Adams: Letters and Images 1916-1984, Little, Brown and Co., Boston, 1988, p. 142.
Ansel Adams, Examples: The Making of 40 Photographs, Little, Brown and Co., New York, 1989, cover, p. 40.
John Szarkowski, Ansel Adams at 100, San Francisco Museum of Modern Art/Little, Brown and Co., Boston, 2001, pl. 96.
Anne Hammond, Ansel Adams, Divine Performance, Yale University Press, New Haven, 2002, p. 94, fig. 4.10.
Karen E. Haas and Rebecca A. Senf, Ansel Adams in the Lane Collection, Museum of Fine Arts, Boston, 2005, pl. 37, p. 68.
Andrea G. Stillman (ed.), Looking at Ansel Adams: The Photographs and the Man, Little, Brown and Co., New York, 2012, p. 114.