.jpg?maxwidth=3840)
Lot 309
JAKE AND DINOS CHAPMAN (B. 1966 & B. 1962)
Insult to Injury
Fermé23 October 2020
Prix réalisé
GBP 100,000
Plus d'informations
JAKE AND DINOS CHAPMAN (B. 1966 & B. 1962)
Insult to Injury
each: signed and dated 'Jake and Dinos Chapman 2003' (on the reverse)
watercolour and pen on Goya's The Disasters of War etching, in eighty parts
each sheet: 11 1/8 x 15in. (28.4 x 38.2cm.)
Executed in 2003
Insult to Injury
each: signed and dated 'Jake and Dinos Chapman 2003' (on the reverse)
watercolour and pen on Goya's The Disasters of War etching, in eighty parts
each sheet: 11 1/8 x 15in. (28.4 x 38.2cm.)
Executed in 2003
JAKE AND DINOS CHAPMAN (B. 1966 & B. 1962)
Insult to Injury
each: signed and dated 'Jake and Dinos Chapman 2003' (on the reverse)
watercolour and pen on Goya's The Disasters of War etching, in eighty parts
each sheet: 11 1/8 x 15in. (28.4 x 38.2cm.)
Executed in 2003
Insult to Injury
each: signed and dated 'Jake and Dinos Chapman 2003' (on the reverse)
watercolour and pen on Goya's The Disasters of War etching, in eighty parts
each sheet: 11 1/8 x 15in. (28.4 x 38.2cm.)
Executed in 2003
White Cube, London.
Yoshii Gallery, New York.
Acquired from the above by the present owner in 2013.
Yoshii Gallery, New York.
Acquired from the above by the present owner in 2013.
J. Chapman and D. Chapman, Insult to Injury, Göttingen 2003 (all parts illustrated in colour, unpaged).
J. Jones, 'Look what we did', in The Guardian, 31 March 2003 (one part illustrated in colour).
C. Turner, ''I'd like to have stepped on Goya's toes, shouted in his ears and punched him in the face': Jake and Dinos Chapman', in Tate Etc., no. 8, Autumn 2006.
J. Chapman and D. Chapman, Flogging a Dead Horse, New York 2011 (illustrated in colour).
J. Jones, 'Look what we did', in The Guardian, 31 March 2003 (one part illustrated in colour).
C. Turner, ''I'd like to have stepped on Goya's toes, shouted in his ears and punched him in the face': Jake and Dinos Chapman', in Tate Etc., no. 8, Autumn 2006.
J. Chapman and D. Chapman, Flogging a Dead Horse, New York 2011 (illustrated in colour).
Oxford, Modern Art Oxford, Jake and Dinos Chapman: The Rape of Creativity, 2003 (installation views illustrated in colour, unpaged).
London, Tate Britain, Turner Prize, 2003.
Bregenz, Kunsthaus Bregenz, Explaining Christians to Dinosaurs, 2005.
New York, Yoshii Gallery, Jake and Dinos Chapman: Insult to Injury, 2013.
Istanbul, Arter, In the Realm of the Senseless, 2017.
London, Tate Britain, Turner Prize, 2003.
Bregenz, Kunsthaus Bregenz, Explaining Christians to Dinosaurs, 2005.
New York, Yoshii Gallery, Jake and Dinos Chapman: Insult to Injury, 2013.
Istanbul, Arter, In the Realm of the Senseless, 2017.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
On occasion, Christie’s has a direct financial interest in
the outcome of the sale of certain lots consigned for sale.
This will usually be where it has guaranteed to the Seller
that whatever the outcome of the auction, the Seller will
receive a minimum sale price for the work. This is known
as a minimum price guarantee. Where Christie’s holds
such financial interest we identify such lots with the
symbol º next to the lot number.
These lots have been imported from outside the EU or, if the UK has withdrawn from the EU without an agreed transition deal, from outside of the UK for sale and placed under the Temporary Admission regime.
Import VAT is payable at 5% on the hammer price. VAT at 20% will be added to the buyer’s premium but will not be shown separately on our invoice.