A REGENCY PATINATED-BRONZE AND ORMOLU FOUR-LIGHT CANDELABRUM
Lot 109 Property from The Earls of Harewood

A REGENCY PATINATED-BRONZE AND ORMOLU FOUR-LIGHT CANDELABRUM

CIRCA 1810, POSSIBLY BY ALEXIS DECAIX

Closed13 December 2019

Price Realised

GBP 28,750

More Information

How to sell

A REGENCY PATINATED-BRONZE AND ORMOLU FOUR-LIGHT CANDELABRUM
CIRCA 1810, POSSIBLY BY ALEXIS DECAIX
With central fluted waxpan and nozzle and three foliate-capped scrolling branches with dolphin terminals supporting conforming waxpans and nozzles, the shaft with Bacchic masks and feet on acanthus-capped lion's-paw feet separated by masks, the base engraved with a coat-of-arms and twice with a crest, drilled for electricity
27 ½ in. (70 cm.) high
The arms are those of Hervey impaling Cressy quartering Primrose, for the Hon. William Hervey (d.1863) of Broadwell (Bradwell) Grove, co. Oxford, and of Bodvell, co. Caernarfon, son of Lord Hervey and his wife Lady Dorothea Arabella (1779-1825), daughter of Neil, 3rd Earl of Rosebery (1728-1814), who he married in 1801.

The Hon. William Hervey (d.1863) and his wife Lady Dorothea Arabella (1779-1825) of Broadwell (Bradwell) Grove, Oxford and Bodvell, Caernarfon.
Possibly acquired with the House and contents of Broadwell Grove by Colonel Heyworth-Savage (d. 1948).
Possibly the 'gilt bronze candelabra' purchased by HM Queen Mary (1867-1953) from the antique dealer Mrs Shann at Harrogate, circa 1925 and by gift to her daughter HRH The Princess Mary, Princess Royal, Countess of Harewood (1897-1965) and by descent at Harewood House, Yorkshire.

Specialist note


This Regency patinated-bronze and ormolu candelabrum is virtually identical to a set of twenty-four silver-gilt four-light candelabra, which form part of the Grand Service in the Royal Collection, made for the Prince of Wales (later George IV) for Carlton House at a cost of £70,000 for the whole service (RCIN 50827). The set was created between 1803 and 1812 at two different workshops, Digby Scott & Benjamin Smith II, and Paul Storr, who were contracted to the Royal gold and silversmith, Rundell, Bridge & Rundell. It was delivered in three batches to Carlton House between 1810 and 1812. The design was evidently fashionable among the Prince’s set for Du Pré Alexander, 2nd Earl of Caledon (1777-1839) owned a pair of silver candelabra of this model (sold Christie’s, London, 10 June 2010, lot 360), and both the 1st and 2nd Earls of Harewood were frequenting Rundell’s for their silver; in August 1800, the Harewood cash account records a payment to the firm for £217 2s (C. Kennedy, Harewood: The Life and Times of an English Country House, London, 1982, p. 63; WYL2503acs85).

The zoomorphic legs of the set from the Grand Service, and on the example offered here, are probably derived from a Roman bronze tripod with lion supports in the Museo Nazionale Romano (for a drawing of this tripod by Charles Robert Cockerell, see RIBA96629). The Regency designer, George Smith, who described himself as ‘Upholder Extraordinary to His Royal Highness the Prince of Wales’, also published closely-related designs for ‘Tripod Stands for Work Tables, Screens & Candelabra’ in his Collection of Designs in 1808, plate III, and may have been responsible for disseminating the design (Smith was publishing designs, presumably as individual sheets, from as early as 1804-07).

This candelabrum was possibly executed by Alexis Decaix (d. 1811) of 15 Rupert Street, the French bronzier and modeller, who served as the Prince of Wales’ bronze-founder from at least June 1791. In a bill dated 5 January 1801 and issued to the Prince, Decaix describes himself as a ‘bronze and ormolu manufacturer’. Decaix, was also inspired by the designs of Thomas Hope, the latter praising his craftsmanship, and is, furthermore, known to have worked for Henry Holland (the Prince of Wales’ architect at Carlton House).