VIK MUNIZ (B. 1961)
The White Iris, after Edward Weston, 2012; The Daybooks of Edward Weston: Volume 1, Mexico, 1973
The White Iris, after Edward Weston, 2012
digital gelatin silver print, accompanied by book encased in glass vitrine
signed and dated in ink, credited, titled, dated, and numbered 'AP3/3' on affixed photographer's studio label (frame backing board)
image/sheet: 30 x 24 in. (76.2 x 60.9 cm.)
This work is artist's proof three aside from an edition of five.
The Daybooks of Edward Weston: Volume 1, Mexico, 1973
New York: Aperture, 1973. Trim size approximately 10 1/4 x 8 3/4 in. (26 x 22.2 cm.); case size approximately 16 7/8 x 24 5/8 x 3 1/8 (42.8 x 62.5 x 7.9 cm.); numbered 'AP of 5' in colophon
This work is artist's proof number three aside from an edition of five.
VIK MUNIZ (B. 1961)
The White Iris, after Edward Weston, 2012; The Daybooks of Edward Weston: Volume 1, Mexico, 1973
The White Iris, after Edward Weston, 2012
digital gelatin silver print, accompanied by book encased in glass vitrine
signed and dated in ink, credited, titled, dated, and numbered 'AP3/3' on affixed photographer's studio label (frame backing board)
image/sheet: 30 x 24 in. (76.2 x 60.9 cm.)
This work is artist's proof three aside from an edition of five.
The Daybooks of Edward Weston: Volume 1, Mexico, 1973
New York: Aperture, 1973. Trim size approximately 10 1/4 x 8 3/4 in. (26 x 22.2 cm.); case size approximately 16 7/8 x 24 5/8 x 3 1/8 (42.8 x 62.5 x 7.9 cm.); numbered 'AP of 5' in colophon
This work is artist's proof number three aside from an edition of five.