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Lot 40
Tracey Emin (b. 1963)
Outside Myself (Monument Valley)
Fermé14 March 2019
Prix réalisé
GBP 23,750
Plus d'informations
Tracey Emin (b. 1963)
Outside Myself (Monument Valley)
c-print
25 ½ x 32in. (64.7 x 81.2cm.)
Executed in 1994, this work is artist's proof number one from an edition of ten plus three artist's proofs
Outside Myself (Monument Valley)
c-print
25 ½ x 32in. (64.7 x 81.2cm.)
Executed in 1994, this work is artist's proof number one from an edition of ten plus three artist's proofs
Tracey Emin (b. 1963)
Outside Myself (Monument Valley)
c-print
25 ½ x 32in. (64.7 x 81.2cm.)
Executed in 1994, this work is artist's proof number one from an edition of ten plus three artist's proofs
Outside Myself (Monument Valley)
c-print
25 ½ x 32in. (64.7 x 81.2cm.)
Executed in 1994, this work is artist's proof number one from an edition of ten plus three artist's proofs
Acquired directly from the artist by George Michael in 2007.
S. Evans and R. Shone (eds.), Made In London: A collection of works by London based artists made in the 1990s, London 1996, p. 62, pl. 5 (illustrated in colour, p. 23)
M. Merck and C. Townsend (eds.), The Art of Tracey Emin, London 2002, pp. 23 and 208, no. 3 (illustrated, p. 22).
R. Cork, Breaking Down the Barriers: Art in the 1990s, London 2003, no. 62 (illustrated, p. 169).
N. Brown, Tracey Emin, London 2006, no. 45 (illustrated in colour, pp. 56-57).
H. Luard and P. Miles (eds.), Tracey Emin: Works 1963- 2006, New York 2006, p. 412 (illustrated in colour, p. 323).
J. Jones (ed.), Tracey Emin: Works 2007-2017, New York 2017, p. 376 (another from the edition, installation view at CAC, Malaga illustrated in colour, pp. 80-81).
M. Merck and C. Townsend (eds.), The Art of Tracey Emin, London 2002, pp. 23 and 208, no. 3 (illustrated, p. 22).
R. Cork, Breaking Down the Barriers: Art in the 1990s, London 2003, no. 62 (illustrated, p. 169).
N. Brown, Tracey Emin, London 2006, no. 45 (illustrated in colour, pp. 56-57).
H. Luard and P. Miles (eds.), Tracey Emin: Works 1963- 2006, New York 2006, p. 412 (illustrated in colour, p. 323).
J. Jones (ed.), Tracey Emin: Works 2007-2017, New York 2017, p. 376 (another from the edition, installation view at CAC, Malaga illustrated in colour, pp. 80-81).
London, South London Gallery, Tracey Emin: I Need Art Like I Need God, 1998 (another from the edition exhibited; illustrated, unpaged).
Edinburgh, National Galleries of Scotland, Tracey Emin: 20 Years, 2008-2009, p. 145, no. 9 (another from the edition exhibited; illustrated in colour, p. 55). This exhibition later travelled to Malaga, CAC Malaga and Bern, Kunstmuseum Bern.
London, Hayward Gallery, Tracey Emin: Love is What You Want, 2011 (another from the edition exhibited; illustrated in colour, p. 105).
Centinje, Montenegro Art Gallery, Perceptions, 2018-2019 (another from the edition exhibited). This exhibition later travelled to Novi Sad, Gallery of Matica srpska.
Edinburgh, National Galleries of Scotland, Tracey Emin: 20 Years, 2008-2009, p. 145, no. 9 (another from the edition exhibited; illustrated in colour, p. 55). This exhibition later travelled to Malaga, CAC Malaga and Bern, Kunstmuseum Bern.
London, Hayward Gallery, Tracey Emin: Love is What You Want, 2011 (another from the edition exhibited; illustrated in colour, p. 105).
Centinje, Montenegro Art Gallery, Perceptions, 2018-2019 (another from the edition exhibited). This exhibition later travelled to Novi Sad, Gallery of Matica srpska.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
These lots have been imported from outside the EU for sale and placed under the Temporary Admission regime.
Import VAT is payable at 5% on the hammer price.