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Lot 211 |PROPERTY OF A BELGIAN COLLECTOR
Gaston Bertrand (1910-1994)
Composition verticale № 186 (Vertical Composition № 186)
Closed24 April 2018
Price Realised
EUR 10,625
More Information
Gaston Bertrand (1910-1994)
Composition verticale ? 186 (Vertical Composition ? 186)
signed and dated '50-61 BERTRAND' (lower right); signed, titled and dated 'Gaston BERTRAND "COMPOSITION VERTICALE" 1950-1961 ? 186' (on the reverse)
oil on canvas
81 x 65cm.
Painted in 1950-1961
Composition verticale ? 186 (Vertical Composition ? 186)
signed and dated '50-61 BERTRAND' (lower right); signed, titled and dated 'Gaston BERTRAND "COMPOSITION VERTICALE" 1950-1961 ? 186' (on the reverse)
oil on canvas
81 x 65cm.
Painted in 1950-1961
Gaston Bertrand (1910-1994)
Composition verticale ? 186 (Vertical Composition ? 186)
signed and dated '50-61 BERTRAND' (lower right); signed, titled and dated 'Gaston BERTRAND "COMPOSITION VERTICALE" 1950-1961 ? 186' (on the reverse)
oil on canvas
81 x 65cm.
Painted in 1950-1961
Composition verticale ? 186 (Vertical Composition ? 186)
signed and dated '50-61 BERTRAND' (lower right); signed, titled and dated 'Gaston BERTRAND "COMPOSITION VERTICALE" 1950-1961 ? 186' (on the reverse)
oil on canvas
81 x 65cm.
Painted in 1950-1961
Bank van Parijs en de Nederlanden Collection, Brussels (acquired via Maurice Naessens from the artist in 1962).
Anon. sale, Campo Antwerp, 14 October 1975, lot 17.
Private Collection, Belgium.
Their sale, Sotheby's Amsterdam, 26 May 2005, lot 36.
Acquired at the above sale by the present owner.
Anon. sale, Campo Antwerp, 14 October 1975, lot 17.
Private Collection, Belgium.
Their sale, Sotheby's Amsterdam, 26 May 2005, lot 36.
Acquired at the above sale by the present owner.
M. Seuphor, La Peinture Abstraite en Flandre, Brussels 1963, no. 119 (illustrated in colour, p. 218).
J. Dypréau, l'Art en Belgique IX. Les peintures abstraites, Brussels 1966 (illustrated, no. 27).
W. van den Bussche, Kunstgeschiedenis, Deurne 1983, p. 101.
C. Bricmont (ed.), Gaston Bertrand: catalogue raisonné de l'œuvre peint, Brussels 2001, no. 406 (illustrated).
J. Dypréau, l'Art en Belgique IX. Les peintures abstraites, Brussels 1966 (illustrated, no. 27).
W. van den Bussche, Kunstgeschiedenis, Deurne 1983, p. 101.
C. Bricmont (ed.), Gaston Bertrand: catalogue raisonné de l'œuvre peint, Brussels 2001, no. 406 (illustrated).
Ghent, Cercle Royal Artistique et Littéraire, Oeuvres des Jeunes Peintres Bruxellois, 1951, no. 11.
Knokke-Zoute, Jeunesses Plastiques et Littéraires, Visages présents, 1951, no. 1.
Brussels, Palais des Beaux-Arts, Gaston Bertrand, 1952, no. 30.
Charleroi, Salle de la Bourse, XXVIème Salon du Cercle Artistique et Littéraire de Charleroi, 1952, no. 74.
Liège, APIAW, Gaston Bertrand, 1952, no. 1.
New York, Stable Gallery, Gaston Bertrand, 1953, no. 3.
New York, The National Arts Club, International Exhibition of painting and sculpture, 1957, no. 17.
Antwerp, Hessenhuis, De Abstracte Schilderkunst in Vlaanderen, 1963-1964, no. 11.
Brussels, Eglise Saint-André, 2ème exposition de peintres et sculpteurs belges contemporains, 1983 (illustrated, p. 8). This exhibition later travelled to Liège, Salle Allende de l’Université Libre de Bruxelles.
Knokke-Zoute, Jeunesses Plastiques et Littéraires, Visages présents, 1951, no. 1.
Brussels, Palais des Beaux-Arts, Gaston Bertrand, 1952, no. 30.
Charleroi, Salle de la Bourse, XXVIème Salon du Cercle Artistique et Littéraire de Charleroi, 1952, no. 74.
Liège, APIAW, Gaston Bertrand, 1952, no. 1.
New York, Stable Gallery, Gaston Bertrand, 1953, no. 3.
New York, The National Arts Club, International Exhibition of painting and sculpture, 1957, no. 17.
Antwerp, Hessenhuis, De Abstracte Schilderkunst in Vlaanderen, 1963-1964, no. 11.
Brussels, Eglise Saint-André, 2ème exposition de peintres et sculpteurs belges contemporains, 1983 (illustrated, p. 8). This exhibition later travelled to Liège, Salle Allende de l’Université Libre de Bruxelles.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.