![BOOK OF HOURS, apparently use of Utrecht, in Latin and Dutch, illuminated manuscript on vellum [Bruges, third quarter 15th-century]](/lot-images/6118854/2017/CKS/2017_CKS_14301_0016_000(book_of_hours_apparently_use_of_utrecht_in_latin_and_dutch_illuminated022156).jpg?maxwidth=3840)
Lot 16
BOOK OF HOURS, apparently use of Utrecht, in Latin and Dutch, illuminated manuscript on vellum [Bruges, third quarter 15th-century]
Closed13 December 2017
Price Realised
GBP 22,500
More Information
BOOK OF HOURS, apparently use of Utrecht, in Latin and Dutch, illuminated manuscript on vellum [Bruges, third quarter 15th-century]
A charming Book of Hours, apparently produced in Bruges for use in Utrecht, then owned by a Spanish noble family resident in Leuven and Antwerp: the 16th-century records of deaths, marriage, and baptisms added by Anna van Bouchout and Joan Fernandez Sant Vittores de la Poitilla – a surname we observe transmuted to Saint-Victor within one generation – are a fascinating testament to the integration of these families into the communities in which they settled.
145 x 103mm. ii + 65 + ii, complete but for the Office of the Dead (possibly not supplied), modern pencil foliation followed here, 16 lines, ruled space: 77 x 53mm, catchwords, occasional gathering signatures, prickings, seven 4- to 6-line illuminated initials with borders on three sides, three full-page miniatures on inserted leaves with full borders across each opening, (some waterstaining to ff.49v-50 affecting the miniature a little, margin edges sometimes cropped). Contemporary stamped pigskin (some cracks on the lower board).
Provenance: The appearance of Sts Servatius, Odulphus, Lambertus, Willibrordus and Martin of Tours in red in the calendar suggests that these Hours were produced for use in Utrecht; the use of the Hours of the Virgin is close to that of Utrecht, though not an exact match – an early owner attached pilgrim badges, whose imprints are still visible, to ff.1 & 12 – Anna van Bouchout, resident of Antwerp, ownership inscription and family records in Dutch, 1537-1540, which include the deaths of her parents, Gielis and Juliana van Bouchout, and her husband, Francisco de Chinchilla – Joan Fernandez Sant Vittores de la Poitilla, Spanish nobleman resident in Leuven, family records for 1587-88 added in Spanish in his hand, presumably inherited by ?his son – François de Saint-Victor, chevalier, seigneur de Bommalettes [Ramillies]: his 17th-century ownership inscription in French, and explanatory annotations next to the family records added by his grandmother, Anna van Bouchout, in Dutch – modern booksellers’ annotations in pencil and pen to flyleaves.
Content: ruled blank f.1; Calendar, in Dutch ff.2-7; Hours of the Cross ff.8v-11; Hours of the Virgin, unrecorded use, ff.12v-48; Seven Penitential Psalms ff.49v-58; Litany ff.59-62; later family records and ownership notes in Dutch, Spanish, and French ff.62v-65.
The subjects of the full-page miniatures are: Crucifixion f.8v; Annunciation f.12v; and Last Judgement f.49v
.
The style of the vibrant inserted miniatures, which are flanked by charming inhabited borders, is associable with the oeuvre of the so-called Masters of the Gold Scrolls, known from their elaborate decorative backgrounds. The leading providers of book illumination in Bruges from around 1420 to 1450, they served a varied clientele and decorated books for the home market and for export, as here, for use in Utrecht in the Northern Netherlands.
A charming Book of Hours, apparently produced in Bruges for use in Utrecht, then owned by a Spanish noble family resident in Leuven and Antwerp: the 16th-century records of deaths, marriage, and baptisms added by Anna van Bouchout and Joan Fernandez Sant Vittores de la Poitilla – a surname we observe transmuted to Saint-Victor within one generation – are a fascinating testament to the integration of these families into the communities in which they settled.
145 x 103mm. ii + 65 + ii, complete but for the Office of the Dead (possibly not supplied), modern pencil foliation followed here, 16 lines, ruled space: 77 x 53mm, catchwords, occasional gathering signatures, prickings, seven 4- to 6-line illuminated initials with borders on three sides, three full-page miniatures on inserted leaves with full borders across each opening, (some waterstaining to ff.49v-50 affecting the miniature a little, margin edges sometimes cropped). Contemporary stamped pigskin (some cracks on the lower board).
Provenance: The appearance of Sts Servatius, Odulphus, Lambertus, Willibrordus and Martin of Tours in red in the calendar suggests that these Hours were produced for use in Utrecht; the use of the Hours of the Virgin is close to that of Utrecht, though not an exact match – an early owner attached pilgrim badges, whose imprints are still visible, to ff.1 & 12 – Anna van Bouchout, resident of Antwerp, ownership inscription and family records in Dutch, 1537-1540, which include the deaths of her parents, Gielis and Juliana van Bouchout, and her husband, Francisco de Chinchilla – Joan Fernandez Sant Vittores de la Poitilla, Spanish nobleman resident in Leuven, family records for 1587-88 added in Spanish in his hand, presumably inherited by ?his son – François de Saint-Victor, chevalier, seigneur de Bommalettes [Ramillies]: his 17th-century ownership inscription in French, and explanatory annotations next to the family records added by his grandmother, Anna van Bouchout, in Dutch – modern booksellers’ annotations in pencil and pen to flyleaves.
Content: ruled blank f.1; Calendar, in Dutch ff.2-7; Hours of the Cross ff.8v-11; Hours of the Virgin, unrecorded use, ff.12v-48; Seven Penitential Psalms ff.49v-58; Litany ff.59-62; later family records and ownership notes in Dutch, Spanish, and French ff.62v-65.
The subjects of the full-page miniatures are: Crucifixion f.8v; Annunciation f.12v; and Last Judgement f.49v
.
The style of the vibrant inserted miniatures, which are flanked by charming inhabited borders, is associable with the oeuvre of the so-called Masters of the Gold Scrolls, known from their elaborate decorative backgrounds. The leading providers of book illumination in Bruges from around 1420 to 1450, they served a varied clientele and decorated books for the home market and for export, as here, for use in Utrecht in the Northern Netherlands.
BOOK OF HOURS, apparently use of Utrecht, in Latin and Dutch, illuminated manuscript on vellum [Bruges, third quarter 15th-century]
A charming Book of Hours, apparently produced in Bruges for use in Utrecht, then owned by a Spanish noble family resident in Leuven and Antwerp: the 16th-century records of deaths, marriage, and baptisms added by Anna van Bouchout and Joan Fernandez Sant Vittores de la Poitilla – a surname we observe transmuted to Saint-Victor within one generation – are a fascinating testament to the integration of these families into the communities in which they settled.
145 x 103mm. ii + 65 + ii, complete but for the Office of the Dead (possibly not supplied), modern pencil foliation followed here, 16 lines, ruled space: 77 x 53mm, catchwords, occasional gathering signatures, prickings, seven 4- to 6-line illuminated initials with borders on three sides, three full-page miniatures on inserted leaves with full borders across each opening, (some waterstaining to ff.49v-50 affecting the miniature a little, margin edges sometimes cropped). Contemporary stamped pigskin (some cracks on the lower board).
Provenance: The appearance of Sts Servatius, Odulphus, Lambertus, Willibrordus and Martin of Tours in red in the calendar suggests that these Hours were produced for use in Utrecht; the use of the Hours of the Virgin is close to that of Utrecht, though not an exact match – an early owner attached pilgrim badges, whose imprints are still visible, to ff.1 & 12 – Anna van Bouchout, resident of Antwerp, ownership inscription and family records in Dutch, 1537-1540, which include the deaths of her parents, Gielis and Juliana van Bouchout, and her husband, Francisco de Chinchilla – Joan Fernandez Sant Vittores de la Poitilla, Spanish nobleman resident in Leuven, family records for 1587-88 added in Spanish in his hand, presumably inherited by ?his son – François de Saint-Victor, chevalier, seigneur de Bommalettes [Ramillies]: his 17th-century ownership inscription in French, and explanatory annotations next to the family records added by his grandmother, Anna van Bouchout, in Dutch – modern booksellers’ annotations in pencil and pen to flyleaves.
Content: ruled blank f.1; Calendar, in Dutch ff.2-7; Hours of the Cross ff.8v-11; Hours of the Virgin, unrecorded use, ff.12v-48; Seven Penitential Psalms ff.49v-58; Litany ff.59-62; later family records and ownership notes in Dutch, Spanish, and French ff.62v-65.
The subjects of the full-page miniatures are: Crucifixion f.8v; Annunciation f.12v; and Last Judgement f.49v
.
The style of the vibrant inserted miniatures, which are flanked by charming inhabited borders, is associable with the oeuvre of the so-called Masters of the Gold Scrolls, known from their elaborate decorative backgrounds. The leading providers of book illumination in Bruges from around 1420 to 1450, they served a varied clientele and decorated books for the home market and for export, as here, for use in Utrecht in the Northern Netherlands.
A charming Book of Hours, apparently produced in Bruges for use in Utrecht, then owned by a Spanish noble family resident in Leuven and Antwerp: the 16th-century records of deaths, marriage, and baptisms added by Anna van Bouchout and Joan Fernandez Sant Vittores de la Poitilla – a surname we observe transmuted to Saint-Victor within one generation – are a fascinating testament to the integration of these families into the communities in which they settled.
145 x 103mm. ii + 65 + ii, complete but for the Office of the Dead (possibly not supplied), modern pencil foliation followed here, 16 lines, ruled space: 77 x 53mm, catchwords, occasional gathering signatures, prickings, seven 4- to 6-line illuminated initials with borders on three sides, three full-page miniatures on inserted leaves with full borders across each opening, (some waterstaining to ff.49v-50 affecting the miniature a little, margin edges sometimes cropped). Contemporary stamped pigskin (some cracks on the lower board).
Provenance: The appearance of Sts Servatius, Odulphus, Lambertus, Willibrordus and Martin of Tours in red in the calendar suggests that these Hours were produced for use in Utrecht; the use of the Hours of the Virgin is close to that of Utrecht, though not an exact match – an early owner attached pilgrim badges, whose imprints are still visible, to ff.1 & 12 – Anna van Bouchout, resident of Antwerp, ownership inscription and family records in Dutch, 1537-1540, which include the deaths of her parents, Gielis and Juliana van Bouchout, and her husband, Francisco de Chinchilla – Joan Fernandez Sant Vittores de la Poitilla, Spanish nobleman resident in Leuven, family records for 1587-88 added in Spanish in his hand, presumably inherited by ?his son – François de Saint-Victor, chevalier, seigneur de Bommalettes [Ramillies]: his 17th-century ownership inscription in French, and explanatory annotations next to the family records added by his grandmother, Anna van Bouchout, in Dutch – modern booksellers’ annotations in pencil and pen to flyleaves.
Content: ruled blank f.1; Calendar, in Dutch ff.2-7; Hours of the Cross ff.8v-11; Hours of the Virgin, unrecorded use, ff.12v-48; Seven Penitential Psalms ff.49v-58; Litany ff.59-62; later family records and ownership notes in Dutch, Spanish, and French ff.62v-65.
The subjects of the full-page miniatures are: Crucifixion f.8v; Annunciation f.12v; and Last Judgement f.49v
.
The style of the vibrant inserted miniatures, which are flanked by charming inhabited borders, is associable with the oeuvre of the so-called Masters of the Gold Scrolls, known from their elaborate decorative backgrounds. The leading providers of book illumination in Bruges from around 1420 to 1450, they served a varied clientele and decorated books for the home market and for export, as here, for use in Utrecht in the Northern Netherlands.
No VAT on hammer price or buyer's premium.