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Lot 526
Eugène Boudin (1824-1898)
Le quai de Camaret, Pêcheur attendant la marée
Closed14 November 2017
Price Realised
USD 175,000
More Information
Eugène Boudin (1824-1898)
Le quai de Camaret, Pêcheur attendant la marée
signed and dated 'E. Boudin 73' (lower left) and inscribed 'Camaret -' (lower right)
oil on canvas
14 ½ x 23 in. (36.8 x 58.4 cm.)
Painted in 1873
Le quai de Camaret, Pêcheur attendant la marée
signed and dated 'E. Boudin 73' (lower left) and inscribed 'Camaret -' (lower right)
oil on canvas
14 ½ x 23 in. (36.8 x 58.4 cm.)
Painted in 1873
Eugène Boudin (1824-1898)
Le quai de Camaret, Pêcheur attendant la marée
signed and dated 'E. Boudin 73' (lower left) and inscribed 'Camaret -' (lower right)
oil on canvas
14 ½ x 23 in. (36.8 x 58.4 cm.)
Painted in 1873
Le quai de Camaret, Pêcheur attendant la marée
signed and dated 'E. Boudin 73' (lower left) and inscribed 'Camaret -' (lower right)
oil on canvas
14 ½ x 23 in. (36.8 x 58.4 cm.)
Painted in 1873
Galerie Bernheim-Jeune et Cie., Paris.
Louis Bernard, Paris; sale, Hôtel Drouot, Paris, 11 May 1901, lot 7.
Théodore Révillon, Paris (acquired at the above sale); sale, Galerie Georges Petit, Paris, 8 May 1924, lot 11.
Emile Bernheim, Paris.
Galerie Georges Petit, Paris.
Galerie Schmit, Paris.
The Armand Hammer Foundation, Los Angeles (acquired from the above, by 1968).
Hammer Galleries, New York (acquired from the above).
Acquired from the above by the present owner, May 2007.
Louis Bernard, Paris; sale, Hôtel Drouot, Paris, 11 May 1901, lot 7.
Théodore Révillon, Paris (acquired at the above sale); sale, Galerie Georges Petit, Paris, 8 May 1924, lot 11.
Emile Bernheim, Paris.
Galerie Georges Petit, Paris.
Galerie Schmit, Paris.
The Armand Hammer Foundation, Los Angeles (acquired from the above, by 1968).
Hammer Galleries, New York (acquired from the above).
Acquired from the above by the present owner, May 2007.
R. Schmit, Eugène Boudin, Paris, 1973, vol. I, p. 316, no. 893 (illustrated).
J. Walker, ed., The Armand Hammer Collection, Five Centuries of Masterpieces, New York, 1980, p. 82, no. 20 (illustrated in color, p. 83).
S.B. Robinson, ed., The French Impressionists in Southern California, Paintings, Sculpture and Prints in Public Collections, Los Angeles, 1984, p. 17.
Hammer Galleries, ed., The Armand Hammer Collection, Los Angeles, 1985, pp. 86-87 and 232, no. 47 (illustrated in color, p. 86; titled Quay at Camaret).
J. Walker, ed., The Armand Hammer Collection, Five Centuries of Masterpieces, New York, 1980, p. 82, no. 20 (illustrated in color, p. 83).
S.B. Robinson, ed., The French Impressionists in Southern California, Paintings, Sculpture and Prints in Public Collections, Los Angeles, 1984, p. 17.
Hammer Galleries, ed., The Armand Hammer Collection, Los Angeles, 1985, pp. 86-87 and 232, no. 47 (illustrated in color, p. 86; titled Quay at Camaret).
New York, Hammer Galleries, 40th Anniversary Loan Exhibition, November-December 1968, p. 14 (illustrated in color).
Memphis, Brooks Memorial Art Gallery and Washington D.C., The Smithsonian Institute, The Armand Hammer Collection, October 1969-May 1970, no. 27 (illustrated).
San Francisco, California Palace of the Legion of Honor, The Armand Hammer Collection, February-March 1971, no. 28 (illustrated in color).
Los Angeles County Museum of Art; London, Royal Academy of Arts and Dublin, National Gallery of Ireland, The Armand Hammer Collection, December 1971-October 1972, no. 15 (illustrated in color, pl. 15).
The Denver Art Museum, The Armand Hammer Collection, Four Centuries of Masterpieces, February-April 1978, no. 15 (illustrated in color, pl. 15).
Memphis, Brooks Memorial Art Gallery and Washington D.C., The Smithsonian Institute, The Armand Hammer Collection, October 1969-May 1970, no. 27 (illustrated).
San Francisco, California Palace of the Legion of Honor, The Armand Hammer Collection, February-March 1971, no. 28 (illustrated in color).
Los Angeles County Museum of Art; London, Royal Academy of Arts and Dublin, National Gallery of Ireland, The Armand Hammer Collection, December 1971-October 1972, no. 15 (illustrated in color, pl. 15).
The Denver Art Museum, The Armand Hammer Collection, Four Centuries of Masterpieces, February-April 1978, no. 15 (illustrated in color, pl. 15).