A. R. Penck (1939-2017)

‘With his signs, symbols, metaphors and even allegories [Penck] made use of an aesthetic range of instruments which had been neglected or disposed in modern art. At the same time, however, he also used radical simplification and linearity to form based on antiquity, which had prevailed throughout the centuries from the Renaissance to Art Nouveau. He also included the energetic, informal brushwork and the serial methods of Op Art, and equally happily added Expressionist figures. Perhaps we can see in the art of A.R. Penck the beginning of Post-Modernism.’ WERNER SCHMIDT