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Lot 259
Tracey Emin (B. 1963)
I've Got It All
Fermé7 October 2017
Prix réalisé
GBP 12,500
Plus d'informations
Tracey Emin (B. 1963)
I've Got It All
colour coupler prints copied from Polaroids, in eight parts
each image: 3 1/8 x 3in. (8 x 7.5cm.)
each sheet: 4 1/8 x 3 ½in. (10.5 x 9cm.)
Executed in 2000, this work is number one from an edition of three
I've Got It All
colour coupler prints copied from Polaroids, in eight parts
each image: 3 1/8 x 3in. (8 x 7.5cm.)
each sheet: 4 1/8 x 3 ½in. (10.5 x 9cm.)
Executed in 2000, this work is number one from an edition of three
Tracey Emin (B. 1963)
I've Got It All
colour coupler prints copied from Polaroids, in eight parts
each image: 3 1/8 x 3in. (8 x 7.5cm.)
each sheet: 4 1/8 x 3 ½in. (10.5 x 9cm.)
Executed in 2000, this work is number one from an edition of three
I've Got It All
colour coupler prints copied from Polaroids, in eight parts
each image: 3 1/8 x 3in. (8 x 7.5cm.)
each sheet: 4 1/8 x 3 ½in. (10.5 x 9cm.)
Executed in 2000, this work is number one from an edition of three
Galerie Gebauer, Berlin.
Private Collection, Germany.
Anon. sale, Christie's London, 23 October 2001, lot 304.
Acquired at the above sale by the present owner.
Private Collection, Germany.
Anon. sale, Christie's London, 23 October 2001, lot 304.
Acquired at the above sale by the present owner.
M. Maloney (ed.), I Am Camera, London 2001 (another example illustrated in colour, p. 234).
C. Townsend and M. Merck (eds.), The Art of Tracey Emin, London 2002 (another example illustrated in colour, p.43).
Saatchi Gallery (ed.), 100 The Work that Changed British Art, London 2003, p. 209, no. 48 (another example illustrated in colour, p. 105).
H. Luard and P. Miles (eds.), Tracey Emin, New York 2006, p. 413 (another example illustrated in colour, p. 235).
Tracey Emin: 20 Years, 2008-2009, exh. cat., Edinburgh, Scottish National Gallery of Modern Art, p. 148 (another example illustrated in colour, p.10).
Tracey Emin: Love is What You Want, 2011, exh. cat., London, Hayward Gallery (another example illustrated in colour, p. 22, 119).
E. Booth-Clibborn (ed.), The History of the Saatchi Gallery, London 2011 (another example illustrated in colour, p. 284).
C. Townsend and M. Merck (eds.), The Art of Tracey Emin, London 2002 (another example illustrated in colour, p.43).
Saatchi Gallery (ed.), 100 The Work that Changed British Art, London 2003, p. 209, no. 48 (another example illustrated in colour, p. 105).
H. Luard and P. Miles (eds.), Tracey Emin, New York 2006, p. 413 (another example illustrated in colour, p. 235).
Tracey Emin: 20 Years, 2008-2009, exh. cat., Edinburgh, Scottish National Gallery of Modern Art, p. 148 (another example illustrated in colour, p.10).
Tracey Emin: Love is What You Want, 2011, exh. cat., London, Hayward Gallery (another example illustrated in colour, p. 22, 119).
E. Booth-Clibborn (ed.), The History of the Saatchi Gallery, London 2011 (another example illustrated in colour, p. 284).
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.