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Lot 271WORKS FROM THE SHALOM SHPILMAN COLLECTION SOLD TO BENEFIT THE SHPILMAN INSTITUTE FOR PHOTOGRAPHY
Erica Baum (b. 1961)
(i) House (from the Naked Eye series)(ii) Alchemy (from the Naked Eye series)(iii) Day for Night (from the Naked Eye series)(iv) Spectators (from the Dog Ear series)(v) Nebulous 2 (from the Naked Eye series)(vi) Differently (from the Dog Ear series)
Fermé19 September 2017
Prix réalisé
GBP 4,750
Plus d'informations
Erica Baum (b. 1961)
(i) House (from the Naked Eye series)
(ii) Alchemy (from the Naked Eye series)
(iii) Day for Night (from the Naked Eye series)
(iv) Spectators (from the Dog Ear series)
(v) Nebulous 2 (from the Naked Eye series)
(vi) Differently (from the Dog Ear series)
each: archival pigment print
(i) 15 ½ x 11 ¾in. (39.4 x 29.9cm.)
(ii) 17 x 16in. (43.2 x 40.6cm.)
(iii) 19 x 12 ¾in. (48.3 x 32.5cm.)
(iv) 9 x 9in. (22.9 x 22.9cm.)
(v) 18 x 14 5/8in. (45.7 x 37.1cm.)
(vi) 9 x 9in. (22.9 x 22.9cm.)
(i) Executed in 2012, this work is number one from an edition of six plus two artist's proofs
(ii) Executed in 2009, this work is the first of two artist's proofs beside the edition of six
(iii) Executed in 2011, this work is number one from an edition of six plus two artist's proofs
(iv) Executed in 2009, this work is number three from an edition of six plus two artist's proofs
(v) Executed in 2011, this work is number two from an edition of six plus two artist's proofs
(vi) Executed in 2009, this work is number four from an edition of six plus two artist's proofs
(i) House (from the Naked Eye series)
(ii) Alchemy (from the Naked Eye series)
(iii) Day for Night (from the Naked Eye series)
(iv) Spectators (from the Dog Ear series)
(v) Nebulous 2 (from the Naked Eye series)
(vi) Differently (from the Dog Ear series)
each: archival pigment print
(i) 15 ½ x 11 ¾in. (39.4 x 29.9cm.)
(ii) 17 x 16in. (43.2 x 40.6cm.)
(iii) 19 x 12 ¾in. (48.3 x 32.5cm.)
(iv) 9 x 9in. (22.9 x 22.9cm.)
(v) 18 x 14 5/8in. (45.7 x 37.1cm.)
(vi) 9 x 9in. (22.9 x 22.9cm.)
(i) Executed in 2012, this work is number one from an edition of six plus two artist's proofs
(ii) Executed in 2009, this work is the first of two artist's proofs beside the edition of six
(iii) Executed in 2011, this work is number one from an edition of six plus two artist's proofs
(iv) Executed in 2009, this work is number three from an edition of six plus two artist's proofs
(v) Executed in 2011, this work is number two from an edition of six plus two artist's proofs
(vi) Executed in 2009, this work is number four from an edition of six plus two artist's proofs
Erica Baum (b. 1961)
(i) House (from the Naked Eye series)
(ii) Alchemy (from the Naked Eye series)
(iii) Day for Night (from the Naked Eye series)
(iv) Spectators (from the Dog Ear series)
(v) Nebulous 2 (from the Naked Eye series)
(vi) Differently (from the Dog Ear series)
each: archival pigment print
(i) 15 ½ x 11 ¾in. (39.4 x 29.9cm.)
(ii) 17 x 16in. (43.2 x 40.6cm.)
(iii) 19 x 12 ¾in. (48.3 x 32.5cm.)
(iv) 9 x 9in. (22.9 x 22.9cm.)
(v) 18 x 14 5/8in. (45.7 x 37.1cm.)
(vi) 9 x 9in. (22.9 x 22.9cm.)
(i) Executed in 2012, this work is number one from an edition of six plus two artist's proofs
(ii) Executed in 2009, this work is the first of two artist's proofs beside the edition of six
(iii) Executed in 2011, this work is number one from an edition of six plus two artist's proofs
(iv) Executed in 2009, this work is number three from an edition of six plus two artist's proofs
(v) Executed in 2011, this work is number two from an edition of six plus two artist's proofs
(vi) Executed in 2009, this work is number four from an edition of six plus two artist's proofs
(i) House (from the Naked Eye series)
(ii) Alchemy (from the Naked Eye series)
(iii) Day for Night (from the Naked Eye series)
(iv) Spectators (from the Dog Ear series)
(v) Nebulous 2 (from the Naked Eye series)
(vi) Differently (from the Dog Ear series)
each: archival pigment print
(i) 15 ½ x 11 ¾in. (39.4 x 29.9cm.)
(ii) 17 x 16in. (43.2 x 40.6cm.)
(iii) 19 x 12 ¾in. (48.3 x 32.5cm.)
(iv) 9 x 9in. (22.9 x 22.9cm.)
(v) 18 x 14 5/8in. (45.7 x 37.1cm.)
(vi) 9 x 9in. (22.9 x 22.9cm.)
(i) Executed in 2012, this work is number one from an edition of six plus two artist's proofs
(ii) Executed in 2009, this work is the first of two artist's proofs beside the edition of six
(iii) Executed in 2011, this work is number one from an edition of six plus two artist's proofs
(iv) Executed in 2009, this work is number three from an edition of six plus two artist's proofs
(v) Executed in 2011, this work is number two from an edition of six plus two artist's proofs
(vi) Executed in 2009, this work is number four from an edition of six plus two artist's proofs
Bureau, New York.
Bischoff/Weiss, London.
Acquired from the above by the present owner in 2012.
Bischoff/Weiss, London.
Acquired from the above by the present owner in 2012.
C. Chaffee, J.-M. Colard, Erica Baum: The Naked Eye, New York 2015 (another from the edition of (i), (ii), (iii), (v) illustrated in colour).
K. Goldsmith, B. Gross, Erica Baum: Dog Ear, New York 2016 (another from the edition of (iv), (vi) illustrated in colour).
K. Goldsmith, B. Gross, Erica Baum: Dog Ear, New York 2016 (another from the edition of (iv), (vi) illustrated in colour).
Berlin, Luttgenmeijer, Erica Baum: Reference, 2009 (another from the edition of (ii) exhibited).
New York, Bureau, Erica Baum: Shuffled Glances, 2011 (another from the edition of (iv), (vi) exhibited).
Lausanne, Circuit Centre d'Art Contemporain, Erica Baum: The Public Imagination, 2011 (another from the edition of (v) exhibited).
São Paulo, Fundaçao Bienal de São Paulo, 30th Bienal de São Paulo: The Imminence of Poetics, 2012. This exhibition later travelled to São Paulo, Sesc Rio Preto (another from the edition of (i), (ii), (iii), (iv), (v), (vi) exhibited).
Austin, Texas, Visual Arts Center, (im)possibilities, 2012 (another from the edition of (iv), (vi) exhibited).
Museum of Contemporary Art Denver, Postscript: Writing After Conceptual Art, 2012-2013 (another from the edition of (iv), (vi) exhibited). This exhibition later travelled to Toronto, The Power Plant and East Lansing, Eli and Edythe Broad Art Museum.
Athens, Andreas Melas & Helena Papadopoulos, Erica Baum: Blanks / Naked Eye Anthology, 2013 (another from the edition of (i), (iii) exhibited).
Langenhagen, Kunstverein Langenhagen, Erica Baum, 2013 (another from the edition of (ii), (iv), (vi) exhibited).
Istanbul, Mixer, The Built Environment - Lower East Side İstanbul'da, 2014 (another from the edition of (i) exhibited).
New York, McCagg Gallery, Lucid Gestures, 2014 (another from the edition of (iii) exhibited).
Amsterdam, W139, True Players, 2015 (another from the edition of (iii) exhibited).
Bremen, Weserburg, Reloaded: Concrete Tendencies Today, 2015 (another from the edition of (vi) exhibited).
Rochester, Deborah Ronnen Fine Art, Thought Patterns, 2016 (another from the edition of (v) exhibited).
New York, 205 Hudson Gallery, Elective Affinities: A Library, 2017 (another from the edition of (iv) exhibited).
New York, Bureau, Erica Baum: Shuffled Glances, 2011 (another from the edition of (iv), (vi) exhibited).
Lausanne, Circuit Centre d'Art Contemporain, Erica Baum: The Public Imagination, 2011 (another from the edition of (v) exhibited).
São Paulo, Fundaçao Bienal de São Paulo, 30th Bienal de São Paulo: The Imminence of Poetics, 2012. This exhibition later travelled to São Paulo, Sesc Rio Preto (another from the edition of (i), (ii), (iii), (iv), (v), (vi) exhibited).
Austin, Texas, Visual Arts Center, (im)possibilities, 2012 (another from the edition of (iv), (vi) exhibited).
Museum of Contemporary Art Denver, Postscript: Writing After Conceptual Art, 2012-2013 (another from the edition of (iv), (vi) exhibited). This exhibition later travelled to Toronto, The Power Plant and East Lansing, Eli and Edythe Broad Art Museum.
Athens, Andreas Melas & Helena Papadopoulos, Erica Baum: Blanks / Naked Eye Anthology, 2013 (another from the edition of (i), (iii) exhibited).
Langenhagen, Kunstverein Langenhagen, Erica Baum, 2013 (another from the edition of (ii), (iv), (vi) exhibited).
Istanbul, Mixer, The Built Environment - Lower East Side İstanbul'da, 2014 (another from the edition of (i) exhibited).
New York, McCagg Gallery, Lucid Gestures, 2014 (another from the edition of (iii) exhibited).
Amsterdam, W139, True Players, 2015 (another from the edition of (iii) exhibited).
Bremen, Weserburg, Reloaded: Concrete Tendencies Today, 2015 (another from the edition of (vi) exhibited).
Rochester, Deborah Ronnen Fine Art, Thought Patterns, 2016 (another from the edition of (v) exhibited).
New York, 205 Hudson Gallery, Elective Affinities: A Library, 2017 (another from the edition of (iv) exhibited).
Each work is accompanied by a certificate of authenticity signed by the artist.
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.