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Lot 142 A
ROBERT FILLIOU (1926-1987)
Singing songs of freedom - Dorothy Iannone (Principe d'équivalence)
Closed10 June 2016
Price Realised
EUR 15,000
More Information
ROBERT FILLIOU (1926-1987)
Singing songs of freedom - Dorothy Iannone (Principe d'équivalence)
signé, daté et annoté 'according to me the principle of equivalence applies to any growth, any thought, any life, any concept, and in particular it illustrates the permanent creation of the universe... well-made badly-made not-made summer 72 according to R Filliou' (sur une feuille fixée au dos)
collage de toile, acrylique et tampon de l'artiste sur toile
60 x 60 cm. (23 5/8 x 23 5/8 in.)
Peint en 1972.
Singing songs of freedom - Dorothy Iannone (Principe d'équivalence)
signé, daté et annoté 'according to me the principle of equivalence applies to any growth, any thought, any life, any concept, and in particular it illustrates the permanent creation of the universe... well-made badly-made not-made summer 72 according to R Filliou' (sur une feuille fixée au dos)
collage de toile, acrylique et tampon de l'artiste sur toile
60 x 60 cm. (23 5/8 x 23 5/8 in.)
Peint en 1972.
ROBERT FILLIOU (1926-1987)
Singing songs of freedom - Dorothy Iannone (Principe d'équivalence)
signé, daté et annoté 'according to me the principle of equivalence applies to any growth, any thought, any life, any concept, and in particular it illustrates the permanent creation of the universe... well-made badly-made not-made summer 72 according to R Filliou' (sur une feuille fixée au dos)
collage de toile, acrylique et tampon de l'artiste sur toile
60 x 60 cm. (23 5/8 x 23 5/8 in.)
Peint en 1972.
Singing songs of freedom - Dorothy Iannone (Principe d'équivalence)
signé, daté et annoté 'according to me the principle of equivalence applies to any growth, any thought, any life, any concept, and in particular it illustrates the permanent creation of the universe... well-made badly-made not-made summer 72 according to R Filliou' (sur une feuille fixée au dos)
collage de toile, acrylique et tampon de l'artiste sur toile
60 x 60 cm. (23 5/8 x 23 5/8 in.)
Peint en 1972.
Studio Oggetto, Milan
Galleria La Bertesca, Gênes
Collection Enrico Pedrini, Gênes (acquis en 1974)
Puis par descendance au propriétaire actuel
Galleria La Bertesca, Gênes
Collection Enrico Pedrini, Gênes (acquis en 1974)
Puis par descendance au propriétaire actuel
E. Pedrini, La freccia evolutiva dell'Irreversibilità, Naples, 1992 (illustré).
E. Pedrini, Passions de France, catalogue d'exposition, Turin, Centre Culturel Français, 1999 (illustré, non paginé).
E. Pedrini, Passions de France, catalogue d'exposition, Turin, Centre Culturel Français, 1999 (illustré, non paginé).
Massa Carrara, Palazzo Ducale, La seconda avanguardia, 1987.
Florence, Galleria Vivita, La riformulazione quantica. Happening & Fluxus, 1988.
Nice, Galerie Alain Couturier, Carrefour Culturel Mediterranéen, La Reformulation quantique, 2003.
Florence, Galleria Vivita, La riformulazione quantica. Happening & Fluxus, 1988.
Nice, Galerie Alain Couturier, Carrefour Culturel Mediterranéen, La Reformulation quantique, 2003.
'SINGING SONGS OF FREEDOM - DOROTHY IANNONE (PRINCIPE D'EQUIVALENCE)' SIGNED, DATED AND INSCRIBED ON A SHEET AFFIXED ON THE REVERSE; CANVAS COLLAGE, ACRYLIC AND ARTIST'S STAMP ON CANVAS.
Artist's Resale Right ("droit de Suite").
If the Artist's Resale Right Regulations 2006 apply to this lot, the buyer also agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.