BINDINGS -- HAMILTON, “Count” Anthony. Memoirs of Count Grammont. A New Translation. London: S. and E. Harding, [1794]. 4to. Engraved frontispiece, engraved title vignette and 77 plates. (Offsetting from plates, a few leaves with all-over browning.) Contemporary straight-grained red morocco gilt, possibly by Edwards of Pall-Mall, covers with multiple fillets and roll-tool borders, spine with double raised bands and gilt ruling, gilt turn-ins with zig-zag roll tool, gilt edges (extremities rubbed). Cohen/de Ricci 472.
KIPLING, Rudyard. The Seven Seas. London: Methuen, 1896. 8vo. Title in red and black with vignette. Contemporary pigskin by the Guild of Women Binders, covers with large stylised flowers at corners linked by three widely-spaced rules, flat spine directly lettered at head, top edge gilt, others uncut (spine darkened, light marks on covers, corners rubbed and bumped). Limited to 150 copies on handmade paper.
No marks of ownership on either volume.
BINDINGS -- HAMILTON, “Count” Anthony. Memoirs of Count Grammont. A New Translation. London: S. and E. Harding, [1794]. 4to. Engraved frontispiece, engraved title vignette and 77 plates. (Offsetting from plates, a few leaves with all-over browning.) Contemporary straight-grained red morocco gilt, possibly by Edwards of Pall-Mall, covers with multiple fillets and roll-tool borders, spine with double raised bands and gilt ruling, gilt turn-ins with zig-zag roll tool, gilt edges (extremities rubbed). Cohen/de Ricci 472.
KIPLING, Rudyard. The Seven Seas. London: Methuen, 1896. 8vo. Title in red and black with vignette. Contemporary pigskin by the Guild of Women Binders, covers with large stylised flowers at corners linked by three widely-spaced rules, flat spine directly lettered at head, top edge gilt, others uncut (spine darkened, light marks on covers, corners rubbed and bumped). Limited to 150 copies on handmade paper.
No marks of ownership on either volume.