Rembrandt Harmensz. van Rijn
The Artist drawing from the Model
etching with drypoint and engraving, circa 1639, on laid paper, partial watermark Basel Crozier (very similar to Hinterding G-a, as called for in earliest impressions), a fine impression of the second, final state (Hollstein records only two impressions of the first state, in London and Vienna), printing with much burr on the palm frond and elsewhere in the foreground, with narrow margins, a horizontal printer's crease across the subject with touches of ink, two tiny nicks in the upper right margin, otherwise in good condition
P. 232 x 184 mm., S. 237 x 191 mm.
Rembrandt Harmensz. van Rijn
The Artist drawing from the Model
etching with drypoint and engraving, circa 1639, on laid paper, partial watermark Basel Crozier (very similar to Hinterding G-a, as called for in earliest impressions), a fine impression of the second, final state (Hollstein records only two impressions of the first state, in London and Vienna), printing with much burr on the palm frond and elsewhere in the foreground, with narrow margins, a horizontal printer's crease across the subject with touches of ink, two tiny nicks in the upper right margin, otherwise in good condition
P. 232 x 184 mm., S. 237 x 191 mm.
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