Alonso Cano (Granada 1601-1667) and Studio

This work would appear to be an autograph version, with studio assistance, of the Immaculate Conception in the collection of the marqués de Cartagena, Granada, dated by Wethey to circa 1653-57 (see H. Wethey, Alonso Cano, Madrid, 1983, p. 125, no. 37).