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Lot 318
Rafael Lozano-Hemmer (b. 1967)
Make Out, Shadow Box 8
Closed30 September 2015
Price Realised
USD 50,000
More Information
Rafael Lozano-Hemmer (b. 1967)
Make Out, Shadow Box 8
plasma screen in shadowbox with computer vision tracking system
screen: 15 ½ x 25 in. (39.4 x 63.5 cm.)
overall: 31 ½ x 41 x 4 ½ in. (80 x 104.1 x 11.4 cm.)
Executed in 2008. This work is number three from an edition of six plus one artist's proof and will be accompanied by a certificate of authenticity signed by the artist.
Make Out, Shadow Box 8
plasma screen in shadowbox with computer vision tracking system
screen: 15 ½ x 25 in. (39.4 x 63.5 cm.)
overall: 31 ½ x 41 x 4 ½ in. (80 x 104.1 x 11.4 cm.)
Executed in 2008. This work is number three from an edition of six plus one artist's proof and will be accompanied by a certificate of authenticity signed by the artist.
Rafael Lozano-Hemmer (b. 1967)
Make Out, Shadow Box 8
plasma screen in shadowbox with computer vision tracking system
screen: 15 ½ x 25 in. (39.4 x 63.5 cm.)
overall: 31 ½ x 41 x 4 ½ in. (80 x 104.1 x 11.4 cm.)
Executed in 2008. This work is number three from an edition of six plus one artist's proof and will be accompanied by a certificate of authenticity signed by the artist.
Make Out, Shadow Box 8
plasma screen in shadowbox with computer vision tracking system
screen: 15 ½ x 25 in. (39.4 x 63.5 cm.)
overall: 31 ½ x 41 x 4 ½ in. (80 x 104.1 x 11.4 cm.)
Executed in 2008. This work is number three from an edition of six plus one artist's proof and will be accompanied by a certificate of authenticity signed by the artist.
Galería OMR, Mexico City
Acquired from the above by the present owner
Acquired from the above by the present owner
M. Ozog, "Surveilling the Surveillance Society : The Case of Rafael Lozano-Hemmer’s Installations," Conspiracy Dwellings: Surveillance in Contemporary Art, Cambridge, 2010, p. 95.
J. Drobnick and J. Fisher, eds., "Spectacular Infrastructure: The Mediatic Space of Monreal's 'Quartier des spectacles',” Public 45: Civic Spectacle, vol. 23, issue 45, Spring 2012, p. 132 (another example illustrated).
M. Oybin, "Control convertido en poesía,” Clarín Ñ, 10 November 2012, p. 32 (another example illustrated).
C. Frèrot, "Rafael Lozano-Hemmer," ArtNexus, no. 84, vol. 11, 2012, p. 129.
P. Walder, "Rafael Lozano-Hemmer: fragmentos de un código fuente / Rafael Lozano Hemmer: Fragments of a Source Code,” Art.es, issue 48-49, 2012, pp. 82-83 (another example illustrated).
"Polynominals - Rafael Lozano-Hemmer," Mapping Festival, April 2015, n.p. (another example illustrated).
J. Drobnick and J. Fisher, eds., "Spectacular Infrastructure: The Mediatic Space of Monreal's 'Quartier des spectacles',” Public 45: Civic Spectacle, vol. 23, issue 45, Spring 2012, p. 132 (another example illustrated).
M. Oybin, "Control convertido en poesía,” Clarín Ñ, 10 November 2012, p. 32 (another example illustrated).
C. Frèrot, "Rafael Lozano-Hemmer," ArtNexus, no. 84, vol. 11, 2012, p. 129.
P. Walder, "Rafael Lozano-Hemmer: fragmentos de un código fuente / Rafael Lozano Hemmer: Fragments of a Source Code,” Art.es, issue 48-49, 2012, pp. 82-83 (another example illustrated).
"Polynominals - Rafael Lozano-Hemmer," Mapping Festival, April 2015, n.p. (another example illustrated).
London, Elton John AIDS Foundation, White Tie & Tiara Charity Ball, June 2009 (another example exhibited).
Havana, Bienal de la Habana, March-April 2009 (another example exhibited).
London, Victoria & Albert Museum; Beijing, Central Academy of Fine Arts Museum; Moscow, Garage Museum of Contemporary Art; Design Museum Holon, Decode: Digital Design Sensations, December 2009-March 2012 (another example exhibited).
New York, Haunch of Venison, Transition States, September-October 2009 (another example exhibited).
Manchester Art Gallery, Rafael Lozano-Hemmer: Recorders, September 2010-January 2011 (another example exhibited).
Paris, La Gaîté Lyrique; Buenos Aires, Fundación Telefónica, Rafael Lozano-Hemmer: Trackers, September-November 2011 (another example exhibited).
Mexico City, Galería OMR, X no es la nueva Y, April-June 2012 (another example exhibited).
Istanbul, Borusan Contemporary, Vicious Circular Breathing, September 2013-February 2014 (another example exhibited).
CAM Raleigh, Limited Visibility, October 2014-January 2015 (another example exhibited).
Heart Ibiza, Make Out, June-October 2015 (another example exhibited).
Havana, Bienal de la Habana, March-April 2009 (another example exhibited).
London, Victoria & Albert Museum; Beijing, Central Academy of Fine Arts Museum; Moscow, Garage Museum of Contemporary Art; Design Museum Holon, Decode: Digital Design Sensations, December 2009-March 2012 (another example exhibited).
New York, Haunch of Venison, Transition States, September-October 2009 (another example exhibited).
Manchester Art Gallery, Rafael Lozano-Hemmer: Recorders, September 2010-January 2011 (another example exhibited).
Paris, La Gaîté Lyrique; Buenos Aires, Fundación Telefónica, Rafael Lozano-Hemmer: Trackers, September-November 2011 (another example exhibited).
Mexico City, Galería OMR, X no es la nueva Y, April-June 2012 (another example exhibited).
Istanbul, Borusan Contemporary, Vicious Circular Breathing, September 2013-February 2014 (another example exhibited).
CAM Raleigh, Limited Visibility, October 2014-January 2015 (another example exhibited).
Heart Ibiza, Make Out, June-October 2015 (another example exhibited).
On occasion, Christie's has a direct financial interest in the outcome of the sale of certain lots consigned for sale. This will usually be where it has guaranteed to the Seller that whatever the outcome of the auction, the Seller will receive a minimum sale price for the work. This is known as a minimum price guarantee. This is such a lot.