André Brasilier (B. 1929)
Bocage normande
signed 'André Brasilier.' (lower centre); signed and inscribed 'Le Bocage A.B.' (on the reverse)
oil on canvas
59 x 76 3/4 in. (150 x 195 cm.)
Painted in 1988
André Brasilier (B. 1929)
Bocage normande
signed 'André Brasilier.' (lower centre); signed and inscribed 'Le Bocage A.B.' (on the reverse)
oil on canvas
59 x 76 3/4 in. (150 x 195 cm.)
Painted in 1988
Galerie Etienne Sassi, Paris.
Anonymous sale, Mainichi, Tokyo, 8 November 2014, lot 273.
Acquired at the above sale by the present owner.
X. de Coulanges, André Brasilier, Catalogue raisonné, 1982-2002, vol. 1, Lausanne, 2002, no. 1988/14 (illustrated p. 130; with erroneous measurements)
L. Harambourg, R. Bouillot, André Brasilier, Lausanne, 2002 (illustrated p. 315).
Y. le Pichon, André Brasilier, ses transfigurations (illustrated p. 39).
Vancouver, Galerie Buschlen-Mowatt, In Search of the Invisible, April - May 1988.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
These lots have been imported from outside the EU for sale using a Temporary Import regime. Import VAT is payable (at 5%) on the Hammer price. VAT is also payable (at 20%) on the buyer’s Premium on a VAT inclusive basis. When a buyer of such a lot has registered an EU address but wishes to export the lot or complete the import into another EU country, he must advise Christie's immediately after the auction.
All sold and unsold lots marked with a filled square in the catalogue that are not cleared from Christie’s by 5:00 pm on the day of the sale, and all sold and unsold lots not cleared from Christie’s by 5:00 pm on the fifth Friday following the sale, will be removed to the warehouse of ‘Cadogan Tate’. Please note that there will be no charge to purchasers who collect their lots within two weeks of this sale.
Note du spécialiste
Alexis Brasilier has confirmed the authenticity of this work.
.jpg?maxwidth=3840)