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Lot 318
Matthew Barney (b. 1967)
Cremaster 4: The Loughton Candidate
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Prix réalisé
USD 25,000
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Matthew Barney (b. 1967)
Cremaster 4: The Loughton Candidate
color coupler print in cast plastic frame
19½ x 17 5/8 in. (49.5 x 44.7 cm.)
Executed in 1994. This work is number nine from an edition of thirty.
Cremaster 4: The Loughton Candidate
color coupler print in cast plastic frame
19½ x 17 5/8 in. (49.5 x 44.7 cm.)
Executed in 1994. This work is number nine from an edition of thirty.
Matthew Barney (b. 1967)
Cremaster 4: The Loughton Candidate
color coupler print in cast plastic frame
19½ x 17 5/8 in. (49.5 x 44.7 cm.)
Executed in 1994. This work is number nine from an edition of thirty.
Cremaster 4: The Loughton Candidate
color coupler print in cast plastic frame
19½ x 17 5/8 in. (49.5 x 44.7 cm.)
Executed in 1994. This work is number nine from an edition of thirty.
Barbara Gladstone Gallery, New York
Acquired from the above by the present owner
Acquired from the above by the present owner
F. Bonami, "Matthew Barney", Flash Art, international exhibition, May-June 1994 (another example illustrated on the cover).
Matthew Barney: Pace Car for the Hubris Pill, exh. cat., Rotterdam, Museum Boymans-van Beunigen, 1995, p. 75 (another example illustrated).
U. Grosenick and B. Riemschneider, Art at the Turn of the Millennium, New York 1999, p. 58, no. 1 (another example illustrated).
D. Costello, "Video Art: Smart Investment or Screen Saver?," The Wall Street Journal, New York, April 30, 1999 (another example illustrated).
W. Feaver, "Salvador Dali: Shock Tactician," Artnews, New York, May 1999, p. 131 (another example illustrated).
Matthew Barney: Pace Car for the Hubris Pill, exh. cat., Rotterdam, Museum Boymans-van Beunigen, 1995, p. 75 (another example illustrated).
U. Grosenick and B. Riemschneider, Art at the Turn of the Millennium, New York 1999, p. 58, no. 1 (another example illustrated).
D. Costello, "Video Art: Smart Investment or Screen Saver?," The Wall Street Journal, New York, April 30, 1999 (another example illustrated).
W. Feaver, "Salvador Dali: Shock Tactician," Artnews, New York, May 1999, p. 131 (another example illustrated).
Los Angeles, Regen Projects, Matthew Barney: Portraits from Cremaster 4, November- December 1994 (another example exhibited).
Paris, Fondation Cartier pour l'Art contemporain, Matthew Barney, March-April 1995 (another example exhibited).
New York, Barbara Gladstone Gallery, Matthew Barney: Cremaster 4, April-May 1995 (another example exhibited).
Gera, Kunstammlung; and Neus Museum Weserburg Bremen, Sammlung Volkmann zeight: Faustrecht der Freihet, April-September 1996, p. 50 (another example exhibited and illustrated).
Cologne, Museum Ludwig; Musée d'Art Moderne de la Ville de Paris and New York, Solomon R. Guggenheim Museum, Matthew Barney, The Cremaster Cycle, June 2002-May 2003, pp. 330 and 472 (another example exhibited and illustrated).
Cologne, Museum Ludwig, The Eighth Square: Gender, Life, and Desire in the Visual Arts since 1960, August-November 2006.
Paris, Fondation Cartier pour l'Art contemporain, Matthew Barney, March-April 1995 (another example exhibited).
New York, Barbara Gladstone Gallery, Matthew Barney: Cremaster 4, April-May 1995 (another example exhibited).
Gera, Kunstammlung; and Neus Museum Weserburg Bremen, Sammlung Volkmann zeight: Faustrecht der Freihet, April-September 1996, p. 50 (another example exhibited and illustrated).
Cologne, Museum Ludwig; Musée d'Art Moderne de la Ville de Paris and New York, Solomon R. Guggenheim Museum, Matthew Barney, The Cremaster Cycle, June 2002-May 2003, pp. 330 and 472 (another example exhibited and illustrated).
Cologne, Museum Ludwig, The Eighth Square: Gender, Life, and Desire in the Visual Arts since 1960, August-November 2006.