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Lot 79|Property of a Private Collector, Florida
Frederick William MacMonnies (1863-1937)
Pan of Rohallion
Fermé25 March 2015
Prix réalisé
USD 20,000
Plus d'informations
Frederick William MacMonnies (1863-1937)
Pan of Rohallion
inscribed 'Frederick MacMonnies/Copyright 1894 Paris 1890' and stamped 'J. A. BOEUF & ROUARD/FONDEURS A PARIS/10 & 12/R. de L'AISLE POPINCOURT' (on the back)--inscribed 'TO•PAN•OF•ROHALLION•ANNO•DOMINI•M•D•C•C•C•L•X•L•' (along the base)
bronze with brown patina
29 ½ in. (75 cm.) high
Pan of Rohallion
inscribed 'Frederick MacMonnies/Copyright 1894 Paris 1890' and stamped 'J. A. BOEUF & ROUARD/FONDEURS A PARIS/10 & 12/R. de L'AISLE POPINCOURT' (on the back)--inscribed 'TO•PAN•OF•ROHALLION•ANNO•DOMINI•M•D•C•C•C•L•X•L•' (along the base)
bronze with brown patina
29 ½ in. (75 cm.) high
Frederick William MacMonnies (1863-1937)
Pan of Rohallion
inscribed 'Frederick MacMonnies/Copyright 1894 Paris 1890' and stamped 'J. A. BOEUF & ROUARD/FONDEURS A PARIS/10 & 12/R. de L'AISLE POPINCOURT' (on the back)--inscribed 'TO•PAN•OF•ROHALLION•ANNO•DOMINI•M•D•C•C•C•L•X•L•' (along the base)
bronze with brown patina
29 ½ in. (75 cm.) high
Pan of Rohallion
inscribed 'Frederick MacMonnies/Copyright 1894 Paris 1890' and stamped 'J. A. BOEUF & ROUARD/FONDEURS A PARIS/10 & 12/R. de L'AISLE POPINCOURT' (on the back)--inscribed 'TO•PAN•OF•ROHALLION•ANNO•DOMINI•M•D•C•C•C•L•X•L•' (along the base)
bronze with brown patina
29 ½ in. (75 cm.) high
C.H. Caffin, American Masters of Sculpture, New York, 1913, p. 75, another example referenced.
W. Craven, Sculpture in America, New York, 1968, p. 422, another example referenced.
B.G. Proske, Brookgreen Gardens Sculpture, Murrells Inlet, South Carolina, 1968, p. 34, another example referenced.
Hirschl & Adler Galleries, Inc., Carved and Modeled: American Sculpture 1810-1940, New York, 1982, pp. 64-65, another example illustrated.
G.P. Opitz, Dictionary of American Sculptors: 18th Century to the Present, Poughkeepsie, New York, 1984, pp. 253, 575, another example illustrated.
The Parrish Art Museum, Fauns and Fountains: American Garden Statuary, 1890-1939, Southampton, New York, 1985, no. 17, another example illustrated.
J. Conner, J. Rosenkranz, Rediscoveries in American Sculpture: Studio Works 1893-1939, Houston, Texas, 1989, pp. 116, 126, 132n17, another example illustrated.
M. Smart, E.A. Gordon, A Flight with Fame: The Life and Art of Frederick MacMonnies: With a Catalogue Raisonné of the Artist's Works, Madison, Connecticut, 1996, pp. 85, 89-90, 92, 99, 106, 150, 156, 237, 288, other examples illustrated.
E.A. Gordon, The Sculpture of Frederick William MacMonnies: A Critical Catalogue, Ph.D. dissertation, New York University, New York, 1998, pp. 120-26, figs. 22.1, 22.2, 22.3, another example illustrated.
Eaton Fine Art, Inc., From Neo-Classical and Beaux-Arts to Modernism: A Passage in American Sculpture, Riviera Beach, Florida, 2000, pp. 20-21, another example illustrated.
W. Craven, Sculpture in America, New York, 1968, p. 422, another example referenced.
B.G. Proske, Brookgreen Gardens Sculpture, Murrells Inlet, South Carolina, 1968, p. 34, another example referenced.
Hirschl & Adler Galleries, Inc., Carved and Modeled: American Sculpture 1810-1940, New York, 1982, pp. 64-65, another example illustrated.
G.P. Opitz, Dictionary of American Sculptors: 18th Century to the Present, Poughkeepsie, New York, 1984, pp. 253, 575, another example illustrated.
The Parrish Art Museum, Fauns and Fountains: American Garden Statuary, 1890-1939, Southampton, New York, 1985, no. 17, another example illustrated.
J. Conner, J. Rosenkranz, Rediscoveries in American Sculpture: Studio Works 1893-1939, Houston, Texas, 1989, pp. 116, 126, 132n17, another example illustrated.
M. Smart, E.A. Gordon, A Flight with Fame: The Life and Art of Frederick MacMonnies: With a Catalogue Raisonné of the Artist's Works, Madison, Connecticut, 1996, pp. 85, 89-90, 92, 99, 106, 150, 156, 237, 288, other examples illustrated.
E.A. Gordon, The Sculpture of Frederick William MacMonnies: A Critical Catalogue, Ph.D. dissertation, New York University, New York, 1998, pp. 120-26, figs. 22.1, 22.2, 22.3, another example illustrated.
Eaton Fine Art, Inc., From Neo-Classical and Beaux-Arts to Modernism: A Passage in American Sculpture, Riviera Beach, Florida, 2000, pp. 20-21, another example illustrated.