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Lot 82
Käthe Kollwitz (1867-1945)
Selbstbildnis
Closed4 December 2014
Price Realised
GBP 3,000
More Information
Käthe Kollwitz (1867-1945)
Selbstbildnis
etching. 1912, on heavy wove paper, signed in pencil, from an unnumbered edition of 30 on various papers; together with, Vier Männer in der Kneipe (Kn. 15) etching, 1892-97, on simili Japan paper, signed in pencil; with, Selbstbildnis am Tisch (Kn. 21) etching and aquatint, circa 1893, on wove paper, unsigned, with, Selbstbildnis (Kn. 171) etching, 1921, on watermarked Van Gelder laid paper, signed in pencil, each in generally good condition
Plate: 140 x 100 mm., Sheet: 317 x 224 mm. (and similar)
(4)
Selbstbildnis
etching. 1912, on heavy wove paper, signed in pencil, from an unnumbered edition of 30 on various papers; together with, Vier Männer in der Kneipe (Kn. 15) etching, 1892-97, on simili Japan paper, signed in pencil; with, Selbstbildnis am Tisch (Kn. 21) etching and aquatint, circa 1893, on wove paper, unsigned, with, Selbstbildnis (Kn. 171) etching, 1921, on watermarked Van Gelder laid paper, signed in pencil, each in generally good condition
Plate: 140 x 100 mm., Sheet: 317 x 224 mm. (and similar)
(4)
Käthe Kollwitz (1867-1945)
Selbstbildnis
etching. 1912, on heavy wove paper, signed in pencil, from an unnumbered edition of 30 on various papers; together with, Vier Männer in der Kneipe (Kn. 15) etching, 1892-97, on simili Japan paper, signed in pencil; with, Selbstbildnis am Tisch (Kn. 21) etching and aquatint, circa 1893, on wove paper, unsigned, with, Selbstbildnis (Kn. 171) etching, 1921, on watermarked Van Gelder laid paper, signed in pencil, each in generally good condition
Plate: 140 x 100 mm., Sheet: 317 x 224 mm. (and similar)
(4)
Selbstbildnis
etching. 1912, on heavy wove paper, signed in pencil, from an unnumbered edition of 30 on various papers; together with, Vier Männer in der Kneipe (Kn. 15) etching, 1892-97, on simili Japan paper, signed in pencil; with, Selbstbildnis am Tisch (Kn. 21) etching and aquatint, circa 1893, on wove paper, unsigned, with, Selbstbildnis (Kn. 171) etching, 1921, on watermarked Van Gelder laid paper, signed in pencil, each in generally good condition
Plate: 140 x 100 mm., Sheet: 317 x 224 mm. (and similar)
(4)
Knesebeck 126 VII c (of VII d)
“I felt that I have no right to withdraw from the responsibility of being an advocate. It is my duty to voice the sufferings of people, the sufferings that never end and are as big as mountains.”
Käthe Kollwitz
The etchings and lithographs of Käthe Kollwitz simultaneously captured the human sentiment at its most raw and tender. The artist sought to celebrate not only the humanity, but also the struggles of the proletariat; finding inspiration from the poorest of citizens attending her husband’s medical clinic. Living through political upheavals and the horrors of two World Wars, her own anguishes were documented by her successive self-portraits, yet Kollwitz continued to give a voice to those whom could so easily have been forgotten.
Käthe Kollwitz
The etchings and lithographs of Käthe Kollwitz simultaneously captured the human sentiment at its most raw and tender. The artist sought to celebrate not only the humanity, but also the struggles of the proletariat; finding inspiration from the poorest of citizens attending her husband’s medical clinic. Living through political upheavals and the horrors of two World Wars, her own anguishes were documented by her successive self-portraits, yet Kollwitz continued to give a voice to those whom could so easily have been forgotten.
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