.jpg?maxwidth=3840)
Lot 943
IRENE CHOU(ZHOU LUYUN, 1924-2011)
Impact R-2
Closed24 November 2014
Price Realised
HKD 162,500
More Information
IRENE CHOU(ZHOU LUYUN, 1924-2011)
Impact R-2
Scroll, mounted and framed
Ink and colour on paper
72 x 72 cm. (28 3/8 x 28 3/8 in.)
Executed in 1977
Impact R-2
Scroll, mounted and framed
Ink and colour on paper
72 x 72 cm. (28 3/8 x 28 3/8 in.)
Executed in 1977
IRENE CHOU(ZHOU LUYUN, 1924-2011)
Impact R-2
Scroll, mounted and framed
Ink and colour on paper
72 x 72 cm. (28 3/8 x 28 3/8 in.)
Executed in 1977
Impact R-2
Scroll, mounted and framed
Ink and colour on paper
72 x 72 cm. (28 3/8 x 28 3/8 in.)
Executed in 1977
IRENE CHOU (1924-2011)
Selected exhibitions
2008 Hong Kong Museum of Art, Hong Kong (group)
2006 University Museum & Art Gallery, University of Hong Kong, Hong Kong (solo)
2003 Hong Kong Arts Centre, Hong Kong (solo)
2002 The Ashmolean Museum, Oxford, U.K. (solo)
1994 Taipei Fine Arts Museum, Taipei, Taiwan (solo)
1989 Seoul Metropolitan Museum of Art, Seoul, Korea (group)
1988 National Art Museum of China, Beijing, China (group)
1968 Royal Academy of Arts, London, United Kingdom (group)
Notable collections
Hong Kong Museum of Art, Hong Kong
Boston Museum of Fine Arts, USA
National History Museum, Taipei, Taiwan
Queensland Art Gallery, Australia
The British Museum, London, UK
Born in Shanghai, Irene Chou graduated from St. John University in 1945 and worked as a journalist for Peace Daily Shanghai until she settled in Hong Kong in 1949. Chou was a student of Zhao Shao'ang's and was formally trained in the Lingnan school of painting.
Chou's breakthrough from the Lingnan school came when she became a student of Lui Shou Kwan in the late 1960s. Her signature compositions are dark and complex, compelling viewers to enter her state of mind. Chou's art was inspired by the quote by Chinese philosopher Lu Jiuyan "The Universe is my mind; my mind is the Universe". In the 1970s, she experienced a temporary melancholic state and devoted her time to cultivate her "piled ink" technique. Since the 1980s, Chou's works became more bold and energetic, encompassing a sense of primordial creation and cosmic vision. Her works at that time frequently featured themes of rebirth, with feminine-associated imageries resembling the uterus and the foetus.
Selected exhibitions
2008 Hong Kong Museum of Art, Hong Kong (group)
2006 University Museum & Art Gallery, University of Hong Kong, Hong Kong (solo)
2003 Hong Kong Arts Centre, Hong Kong (solo)
2002 The Ashmolean Museum, Oxford, U.K. (solo)
1994 Taipei Fine Arts Museum, Taipei, Taiwan (solo)
1989 Seoul Metropolitan Museum of Art, Seoul, Korea (group)
1988 National Art Museum of China, Beijing, China (group)
1968 Royal Academy of Arts, London, United Kingdom (group)
Notable collections
Hong Kong Museum of Art, Hong Kong
Boston Museum of Fine Arts, USA
National History Museum, Taipei, Taiwan
Queensland Art Gallery, Australia
The British Museum, London, UK
Born in Shanghai, Irene Chou graduated from St. John University in 1945 and worked as a journalist for Peace Daily Shanghai until she settled in Hong Kong in 1949. Chou was a student of Zhao Shao'ang's and was formally trained in the Lingnan school of painting.
Chou's breakthrough from the Lingnan school came when she became a student of Lui Shou Kwan in the late 1960s. Her signature compositions are dark and complex, compelling viewers to enter her state of mind. Chou's art was inspired by the quote by Chinese philosopher Lu Jiuyan "The Universe is my mind; my mind is the Universe". In the 1970s, she experienced a temporary melancholic state and devoted her time to cultivate her "piled ink" technique. Since the 1980s, Chou's works became more bold and energetic, encompassing a sense of primordial creation and cosmic vision. Her works at that time frequently featured themes of rebirth, with feminine-associated imageries resembling the uterus and the foetus.