Lemerle-Charpentier & Cie., Paris, circa 1880
Lot 1

Lemerle-Charpentier & Cie., Paris, circa 1880

A FRENCH ORMOLU MANTEL CLOCK

Fermé28 October 2014

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GBP 25,000

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Lemerle-Charpentier & Cie., Paris, circa 1880
A FRENCH ORMOLU MANTEL CLOCK
Surmounted by two cloudbourne putti, the cylindrical case with white enamel dial signed 'LEMERLE CHARPENTIER / GRAVELIN SUCCR / PARIS / 8, Rue Charlot' with twin-barrel movement, Brocot escapement, rack striking to gong and stamped 'LEMERLE CHARPENTIER / FANT DE BRONZES / 104 / PARIS', above a supporting putto, on a shaped plinth set with floral swags and attributes of Love
25 ¾ in. (65.5 cm.) high; 26 ¼ in. (65.5 cm.) wide; 11 ¾ in. (30 cm.) deep

A Private West Coast Collection; Sotheby’s, New York, 15 April 2011, lot 5 ($37,500).

Note du spécialiste

With its cloudbourne putti and finely chased figures, this fine clock is emblematic of the delicate designs produced in the final decades of the Ancien Régime. The present clock is likely based on a preparatory drawing dated to circa 1780 of a similar clock on a side table by 18th century sculptor, draughtsman and engraver, Louis Félix de La Rue in the musée des Arts Decoratifs, Paris and illustrated in H. Ottomeyer & P. Pröschel, Vergoldete Bronzen, Münich, 1986, Vol. I, p. 251, no. 4.6.23. The cylindrical clock in the sketch is supported on billowing clouds and surmounted with putti, much like the present lot. A clock closely resembling the present model, also likely by La Rue, is illustrated in H. Ottomeyer & P. Pröschel, op. cit., Vol. I, p. 251, no. 4.6.22.

Several 19th century bronziers produced clocks in this model including the firm Lemerle-Charpentier & Cie, the creator of the present clock. A nearly identical clock by Charpentier & Cie with a white marble base sold Christie’s, London, 6 March 2014, lot 178 (£15,000). The Beurdeley dynasty also created versions of this model including one by Beurdeley with a white marble base sold Christie’s, London, 9 December 2010, lot 206 (£20,000) and another by Beurdeley also with a white marble base sold Christie’s, London, 5 December 2013, lot 161.