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Lot 183
Thomas Schütte (b. 1954)
United Enemies (A Play in Ten Scenes)
Fermé23 September 2014
Prix réalisé
USD 81,250
Plus d'informations
Thomas Schütte (b. 1954)
United Enemies (A Play in Ten Scenes)
each: signed, numbered and dated 'Th. Schütte1994 18/35' (lower right)
hand-colored offset lithograph, in ten parts
each: 25 x 37 in. (63.5 x 93.9 cm.)
(10)Executed in 1994. This work is number eighteen from an edition of thirty-five.
United Enemies (A Play in Ten Scenes)
each: signed, numbered and dated 'Th. Schütte1994 18/35' (lower right)
hand-colored offset lithograph, in ten parts
each: 25 x 37 in. (63.5 x 93.9 cm.)
(10)Executed in 1994. This work is number eighteen from an edition of thirty-five.
Thomas Schütte (b. 1954)
United Enemies (A Play in Ten Scenes)
each: signed, numbered and dated 'Th. Schütte1994 18/35' (lower right)
hand-colored offset lithograph, in ten parts
each: 25 x 37 in. (63.5 x 93.9 cm.)
(10)Executed in 1994. This work is number eighteen from an edition of thirty-five.
United Enemies (A Play in Ten Scenes)
each: signed, numbered and dated 'Th. Schütte1994 18/35' (lower right)
hand-colored offset lithograph, in ten parts
each: 25 x 37 in. (63.5 x 93.9 cm.)
(10)Executed in 1994. This work is number eighteen from an edition of thirty-five.
London Projects, London
Acquired from the above by the present owner, 1997
Acquired from the above by the present owner, 1997
“Thomas Schütte: ‘Man kann auch schattenboxen oder weiter stochern im Nebel,’” Kustforum International, October/December 1994, p. 260 (another example illustrated in color).
Das Kunst-Bulletin 10, October 1994, p. 16 (another example illustrated).
Art in America, May 1995, p. 107 (another example illustrated).
“Thomas Schütte,” Parkett, no. 47, Zurich, 1996, p. 98 (another example illustrated in color).
Leeds, Bowes Museum, Private View: Contemporary Art in the Bowes Museum, exh. cat., 1996, p. 41, (another example illustrated).
J. Heynen, J. Lingwood and A. Vettese, eds., Thomas Schütte, London, 1998, pp. 26-27 and 95 (example illustrated in color).
London, Whitechapel Art Gallery, Thomas Schütte, exh. cat., 1998, pp. 26-28 and 95 (another example illustrated in color and on the cover).
Krefeld, Kaiser Wilhelm Museum, Artist's Proof: Graphical/Photographical Works from the 60s to the 90s, exh. cat., 1998, pp. 155-159, (another example illustrated).
Wolfsburg, Kunstmuseum, Wolfsburg, Collected Works 1: Contemporary Art since 1968, exh. cat., 1999, pp. 390-391 (another example illustrated).
Munich, Sammlung Goetz, Thomas Schütte, exh. cat., 2001, pp. 53-55 (another example illustrated in color).
U. Loock, Thomas Schütte; Herausgegeben von der Friedrich Christian Flick Collection, Cologne, 2004, pp. 123-25, no. 23 (another example illustrated in color).
Das Kunst-Bulletin 10, October 1994, p. 16 (another example illustrated).
Art in America, May 1995, p. 107 (another example illustrated).
“Thomas Schütte,” Parkett, no. 47, Zurich, 1996, p. 98 (another example illustrated in color).
Leeds, Bowes Museum, Private View: Contemporary Art in the Bowes Museum, exh. cat., 1996, p. 41, (another example illustrated).
J. Heynen, J. Lingwood and A. Vettese, eds., Thomas Schütte, London, 1998, pp. 26-27 and 95 (example illustrated in color).
London, Whitechapel Art Gallery, Thomas Schütte, exh. cat., 1998, pp. 26-28 and 95 (another example illustrated in color and on the cover).
Krefeld, Kaiser Wilhelm Museum, Artist's Proof: Graphical/Photographical Works from the 60s to the 90s, exh. cat., 1998, pp. 155-159, (another example illustrated).
Wolfsburg, Kunstmuseum, Wolfsburg, Collected Works 1: Contemporary Art since 1968, exh. cat., 1999, pp. 390-391 (another example illustrated).
Munich, Sammlung Goetz, Thomas Schütte, exh. cat., 2001, pp. 53-55 (another example illustrated in color).
U. Loock, Thomas Schütte; Herausgegeben von der Friedrich Christian Flick Collection, Cologne, 2004, pp. 123-25, no. 23 (another example illustrated in color).
Stuttgart, Württembergischer Kunstverein, Thomas Schütte: Figur, May-October 1994, p. 73 (another example exhibited and illustrated in color).
Tokyo, Wako Works of Art, Thomas Schütte, October-November 1995, pp. 3-15 (another example exhibited and illustrated).
Seattle, Henry Art Gallery, Surrogate: The Figure in Contemporary Sculpture and Photography, October 1998-June 1999.
Seattle, Western Bridge, Possessed, May-October 2004.
London, Faggionato Fine Arts, Thomas Schütte: United Enemies, May-July 2009 (another example exhibited).
Los Angeles, Maloney Fine Art, Thomas Schütte United Enemies: A Play in Ten Scenes, January-February 2010 (another example exhibited).
Madrid, Museo Nacional Centro de Arte Reina Sofía, Thomas Schütte: Hindsight, February-May 2010, pp. 151, 154-155 (another example exhibited and illustrated in color).
New York, Skarstedt Gallery, Thomas Schütte Selected Works, September-October 2010 (another example exhibited).
Tokyo, Wako Works of Art, Thomas Schütte, October-November 1995, pp. 3-15 (another example exhibited and illustrated).
Seattle, Henry Art Gallery, Surrogate: The Figure in Contemporary Sculpture and Photography, October 1998-June 1999.
Seattle, Western Bridge, Possessed, May-October 2004.
London, Faggionato Fine Arts, Thomas Schütte: United Enemies, May-July 2009 (another example exhibited).
Los Angeles, Maloney Fine Art, Thomas Schütte United Enemies: A Play in Ten Scenes, January-February 2010 (another example exhibited).
Madrid, Museo Nacional Centro de Arte Reina Sofía, Thomas Schütte: Hindsight, February-May 2010, pp. 151, 154-155 (another example exhibited and illustrated in color).
New York, Skarstedt Gallery, Thomas Schütte Selected Works, September-October 2010 (another example exhibited).