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Lot 240 |PROPERTY FROM A PRIVATE SWISS COLLECTION
Hiroshi Sugimoto (b. 1948)
Bay of Sagami, Atami
Closed2 July 2014
Price Realised
GBP 20,000
More Information
Hiroshi Sugimoto (b. 1948)
Bay of Sagami, Atami
blind stamped with the title, number and date 'BAY OF SAGAMI ATAMI 1997 9/25' (along the lower margin); signed 'Hiroshi Sugimoto' (along the lower right edge of the artist's mount)
gelatin silver print
image: 16 ½ x 21 ¼in. (42 x 54cm.)
sheet: 18 ½ x 22 ¾in. (47 x 58cm.)
Executed in 1997, this work is number nine from an edition of twenty-five
Bay of Sagami, Atami
blind stamped with the title, number and date 'BAY OF SAGAMI ATAMI 1997 9/25' (along the lower margin); signed 'Hiroshi Sugimoto' (along the lower right edge of the artist's mount)
gelatin silver print
image: 16 ½ x 21 ¼in. (42 x 54cm.)
sheet: 18 ½ x 22 ¾in. (47 x 58cm.)
Executed in 1997, this work is number nine from an edition of twenty-five
Hiroshi Sugimoto (b. 1948)
Bay of Sagami, Atami
blind stamped with the title, number and date 'BAY OF SAGAMI ATAMI 1997 9/25' (along the lower margin); signed 'Hiroshi Sugimoto' (along the lower right edge of the artist's mount)
gelatin silver print
image: 16 ½ x 21 ¼in. (42 x 54cm.)
sheet: 18 ½ x 22 ¾in. (47 x 58cm.)
Executed in 1997, this work is number nine from an edition of twenty-five
Bay of Sagami, Atami
blind stamped with the title, number and date 'BAY OF SAGAMI ATAMI 1997 9/25' (along the lower margin); signed 'Hiroshi Sugimoto' (along the lower right edge of the artist's mount)
gelatin silver print
image: 16 ½ x 21 ¼in. (42 x 54cm.)
sheet: 18 ½ x 22 ¾in. (47 x 58cm.)
Executed in 1997, this work is number nine from an edition of twenty-five
Sonnabend Gallery, New York.
Ars Futura Galerie, Zurich.
Acquired from the above by the present owner in 1997.
Ars Futura Galerie, Zurich.
Acquired from the above by the present owner in 1997.
Madrid, Sala de Exposiciones de la Fundación “La Caixa”, Sugimoto, 1998, no. SUG-493 (another from the edition exhibited, illustrated p.167). This exhibition later travelled to Lisbon, Centro Cultural de Belém.
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Regarding Beauty: a View of the late Twentieth Century, 1999-2000, no. 78 (another from the edition exhibited, illustrated, p. 172). This exhibition later travelled to Munich, Haus der Kunst.
Bonn, Kunstmuseum Bonn, Through the Looking Brain: A Swiss Collection of Conceptual Photography, 2011-2012 (illustrated in colour, p. 229). This exhibition later travelled to St. Gallen, Kunstmuseum St. Gallen.
Washington, D.C., Hirshhorn Museum and Sculpture Garden, Regarding Beauty: a View of the late Twentieth Century, 1999-2000, no. 78 (another from the edition exhibited, illustrated, p. 172). This exhibition later travelled to Munich, Haus der Kunst.
Bonn, Kunstmuseum Bonn, Through the Looking Brain: A Swiss Collection of Conceptual Photography, 2011-2012 (illustrated in colour, p. 229). This exhibition later travelled to St. Gallen, Kunstmuseum St. Gallen.
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