Bruce Bernard (b. 1955)
Leigh Bowery and Nicola Bateman Posing for 'And the Husband' by Lucian Freud, 1993
(i) signed, titled, numbered, inscribed and dated 'LEIGH BOWERY + NICOLA BATEMAN POSTING FOR 'AND THE HUSBAND' BY LUCIAN FREUD 1993 1 B. Bernard 24/25 1998' (on a paper label affixed to the reserve)
(ii) signed, titled, numbered, inscribed and dated 'LEIGH BOWERY + NICOLA BATEMAN POSTING FOR 'AND THE HUSBAND' BY LUCIAN FREUD 2 B. Bernard 20/25 1998' (on a paper label affixed to the reserve)
(iii) signed, titled, numbered, inscribed and dated 'LEIGH BOWERY + NICOLA BATEMAN POSTING FOR 'AND THE HUSBAND' BY LUCIAN FREUD 3 B. Bernard 19/25 1998' (on a paper label affixed to the reserve)
each: c-print
each image: 10 x 15in. (25.5 x 38cm.)
each sheet: 12 x 16in. (30.5 x 40.5cm.)
(3)(i) Photographed in 1993 and printed in 1998, this work is number twenty-four from an edition of twenty-five
(ii) Photographed in 1993 and printed in 1998, this work is number twenty from an edition of twenty-five
(iii) Photographed in 1993 and printed in 1998, this work is number nineteen from an edition of twenty-five
Bruce Bernard (b. 1955)
Leigh Bowery and Nicola Bateman Posing for 'And the Husband' by Lucian Freud, 1993
(i) signed, titled, numbered, inscribed and dated 'LEIGH BOWERY + NICOLA BATEMAN POSTING FOR 'AND THE HUSBAND' BY LUCIAN FREUD 1993 1 B. Bernard 24/25 1998' (on a paper label affixed to the reserve)
(ii) signed, titled, numbered, inscribed and dated 'LEIGH BOWERY + NICOLA BATEMAN POSTING FOR 'AND THE HUSBAND' BY LUCIAN FREUD 2 B. Bernard 20/25 1998' (on a paper label affixed to the reserve)
(iii) signed, titled, numbered, inscribed and dated 'LEIGH BOWERY + NICOLA BATEMAN POSTING FOR 'AND THE HUSBAND' BY LUCIAN FREUD 3 B. Bernard 19/25 1998' (on a paper label affixed to the reserve)
each: c-print
each image: 10 x 15in. (25.5 x 38cm.)
each sheet: 12 x 16in. (30.5 x 40.5cm.)
(3)(i) Photographed in 1993 and printed in 1998, this work is number twenty-four from an edition of twenty-five
(ii) Photographed in 1993 and printed in 1998, this work is number twenty from an edition of twenty-five
(iii) Photographed in 1993 and printed in 1998, this work is number nineteen from an edition of twenty-five