RICHARD CROSSE (BRITISH, 1742-1810)
Lot 25

RICHARD CROSSE (BRITISH, 1742-1810)

Closed20 November 2013

Price Realised

GBP 12,500

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RICHARD CROSSE (BRITISH, 1742-1810)
Mrs Abington, née Frances Barton (1737-1815), in cream silk hooded cape trimmed with lace and tied with a ribbon, black choker, powdered upswept hair
on ivory
oval, 2.3/8 in. (60 mm.) high, gilt-metal frame with rose-cut diamond surround, engraved on the reverse 'Mrs. Abington.'

Consul Eugen Gutmann (1840-1925) Collection, Berlin, by 1912.
On consignment to the Bachstitz Gallery, The Hague (est. 1921).
Friedrich Bernhard Eugen Gutmann, Heemstede; forced sale to art dealer Julius Wilhelm Böhler, Munich, in 1942.
Recovered by the Western Allies, Munich Central Collecting Point (MCCP inv. no. 16397 / 28).
Returned to the Stichting Nederlands Kunstbezit, The Netherlands, 8 July 1946 (SNK no. 529).
Restituted to the Gutmann family, 23 August 1949.
With Edwin and Rosalind Bucher, in 1993.

Specialist note

Frances Abington née Barton (1737-1815) worked as a flower girl and a maid for a French milliner in Covent Garden, before acting in her first play at the Haymarket Theatre on 21 August 1755 and becoming one of the foremost comic actresses of her generation. She married James Abington (d. 1806), one of the King's Trumpeters, in 1759, although their marriage was unhappy and they began living separately soon afterwards. Mrs Abington was later the mistress of several high-profile men, including William Petty, 1st Marquess of Lansdowne. After five years of acting in Dublin, Mrs Abington returned to London and at David Garrick's invitation, joined the Drury Lane company. In 1777, she acted in her most celebrated part, that of Lady Teazle in Sheridan's The School for Scandal, a part which had been written especially for her. Her last appearance was on 12 April 1799, as Lady Racket in Arthur Murphy's farce Three Weeks after Marriage. She died at her home on Pall Mall on 4 March 1815.
This miniature compares closely with an unfinished portrait of Mrs Abington by Sir Joshua Reynolds, P.R.A. (1723-1792), now in the Berger Collection, Denver Colorado (see A. Graves and W. V. Cronin, A History of the Works of Sir Joshua Reynolds, PRA, London, 1889, vol. 4, p. 1250 and N. Penny (ed.), Reynolds, Catalogue of the Exhibition at the Royal Academy, 1986, p. 247).