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Lot 41 B
Damien Hirst (b. 1965)
What Goes Up Must Come Down (Parkett 40/41)
Closed26 September 2013
Price Realised
GBP 3,500
More Information
Damien Hirst (b. 1965)
What Goes Up Must Come Down (Parkett 40/41)
ping-pong ball and a white hairdryer within a perspex container
1994
signed in blue ink, numbered 23/30 on the label on the perspex lid (there were also 15 numbered in Roman numerals)
300 x 300 x 300 mm. (overall)
What Goes Up Must Come Down (Parkett 40/41)
ping-pong ball and a white hairdryer within a perspex container
1994
signed in blue ink, numbered 23/30 on the label on the perspex lid (there were also 15 numbered in Roman numerals)
300 x 300 x 300 mm. (overall)
Damien Hirst (b. 1965)
What Goes Up Must Come Down (Parkett 40/41)
ping-pong ball and a white hairdryer within a perspex container
1994
signed in blue ink, numbered 23/30 on the label on the perspex lid (there were also 15 numbered in Roman numerals)
300 x 300 x 300 mm. (overall)
What Goes Up Must Come Down (Parkett 40/41)
ping-pong ball and a white hairdryer within a perspex container
1994
signed in blue ink, numbered 23/30 on the label on the perspex lid (there were also 15 numbered in Roman numerals)
300 x 300 x 300 mm. (overall)
This lot has been authenticated by the Hirst Authentication Committee.
Born Bristol, UK, 1965. Studied at Jacob Kramer College of Art, Leeds, 1983-1985; and Goldsmiths College, London, graduated 1989. Recent solo exhibitions include: Beyond Belief, White Cube, London, 2007; For the Love of God, Rijksmuseum, Amsterdam, 2008; requiem, Pinchuk Art Centre, Kiev, 2009; No Love Lost, The Wallace Collection, London, 2009-2010; Tate Modern, London, 2012. Group exhibitions include: Freeze, Surrey Docks, London, 1988 (which he curated); Broken English, Serpentine Gallery, London, 1991; Young British Artists, Saatchi Collection, London, 1992; Turner Prize Exhibition, Tate, London, 1995; Sensation, Royal Academy of Arts, London, 1997; Ant Noises, Saatchi Gallery, London, 2000; In-A-Gadda-Da-Vida, Tate Britain, London, 2004; Turner Prize: A Retrospective, Tate Britain, London, 2007; Keeping it Real: Act II Subversive Abstraction, Whitechapel Gallery, London, 2010; White Cube, São Paulo, 2013. Recipient of DAAD fellowship, Berlin, 1994. Winner of Turner Prize, Tate Britain, London, 1995. Upcoming exhibitions include: relics, hosted by the Qatar Museum Authority, Al Riwaq Exhibition Hall, Doha. He lives in Devon, UK.
Born Bristol, UK, 1965. Studied at Jacob Kramer College of Art, Leeds, 1983-1985; and Goldsmiths College, London, graduated 1989. Recent solo exhibitions include: Beyond Belief, White Cube, London, 2007; For the Love of God, Rijksmuseum, Amsterdam, 2008; requiem, Pinchuk Art Centre, Kiev, 2009; No Love Lost, The Wallace Collection, London, 2009-2010; Tate Modern, London, 2012. Group exhibitions include: Freeze, Surrey Docks, London, 1988 (which he curated); Broken English, Serpentine Gallery, London, 1991; Young British Artists, Saatchi Collection, London, 1992; Turner Prize Exhibition, Tate, London, 1995; Sensation, Royal Academy of Arts, London, 1997; Ant Noises, Saatchi Gallery, London, 2000; In-A-Gadda-Da-Vida, Tate Britain, London, 2004; Turner Prize: A Retrospective, Tate Britain, London, 2007; Keeping it Real: Act II Subversive Abstraction, Whitechapel Gallery, London, 2010; White Cube, São Paulo, 2013. Recipient of DAAD fellowship, Berlin, 1994. Winner of Turner Prize, Tate Britain, London, 1995. Upcoming exhibitions include: relics, hosted by the Qatar Museum Authority, Al Riwaq Exhibition Hall, Doha. He lives in Devon, UK.
Artist's Resale Right ("Droit de Suite"). Artist's Resale Right Regulations 2006 apply to this lot, the buyer agrees to pay us an amount equal to the resale royalty provided for in those Regulations, and we undertake to the buyer to pay such amount to the artist's collection agent.
VAT rate of 5% is payable on hammer price and at 20% on the buyer's premium.