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Lot 379
James Casebere (b. 1953)
Monticello #3
Closed27 September 2013
Price Realised
USD 8,750
More Information
James Casebere (b. 1953)
Monticello #3
signed 'J Casebere' (on a paper label affixed to the reverse)
chromogenic print mounted to Plexiglas
23 7/8 x 29 7/8 in. (60.6 x 75.9 cm.)
Executed in 2001. This work is number one from an edition of five plus two artist's proofs.
Monticello #3
signed 'J Casebere' (on a paper label affixed to the reverse)
chromogenic print mounted to Plexiglas
23 7/8 x 29 7/8 in. (60.6 x 75.9 cm.)
Executed in 2001. This work is number one from an edition of five plus two artist's proofs.
James Casebere (b. 1953)
Monticello #3
signed 'J Casebere' (on a paper label affixed to the reverse)
chromogenic print mounted to Plexiglas
23 7/8 x 29 7/8 in. (60.6 x 75.9 cm.)
Executed in 2001. This work is number one from an edition of five plus two artist's proofs.
Monticello #3
signed 'J Casebere' (on a paper label affixed to the reverse)
chromogenic print mounted to Plexiglas
23 7/8 x 29 7/8 in. (60.6 x 75.9 cm.)
Executed in 2001. This work is number one from an edition of five plus two artist's proofs.
Sean Kelly Gallery, New York
Acquired from the above by the present owner
Acquired from the above by the present owner
J. Gilmore, "Review of James Casebere at Sean Kelly Gallery, New York," Tema Celesta, Summer 2001, p. 89, no. 86 (another example illustrated). J. Casebere, The Spatial Uncanny, Milan, 2001, p. 29 (another example illustrated).
R. Juarez, "James Casebere," Bomb, Fall 2001, p. 29, no. 177 (another example illustrated in color).
E. Newhall, "Art: Opening, Construction Team," New York Magazine, 7 May 2001, pp. 92-93 (another example illustrated).
W. L. Hamilton, "An Artist's Novel Take on History: He Lets the Walls Talk," New York Times, The Arts, 28 May 2001, p. E1 and E3 (another example illustrated in color).
D. Kurjakovic, "Imaging Architecture: James Casebere," Werk, March 2002, pp. 30-33 (another example illustrated in color).
S. Vincent, "In the Studio," Art + Auction, November 2003, p. 41 (another example illustrated in detail).
R. Christofori, Bild-Modell-Wirklichkeit, Heidelberg, 2005, p. 193 (another example illustrated in color).
E. Gabara, Errant Modernism: The Ethos of Photography in Mexico and Brazil, Durham, 2008, pl. 1 (another example illustrated in color).
R. Juarez, "James Casebere," Bomb, Fall 2001, p. 29, no. 177 (another example illustrated in color).
E. Newhall, "Art: Opening, Construction Team," New York Magazine, 7 May 2001, pp. 92-93 (another example illustrated).
W. L. Hamilton, "An Artist's Novel Take on History: He Lets the Walls Talk," New York Times, The Arts, 28 May 2001, p. E1 and E3 (another example illustrated in color).
D. Kurjakovic, "Imaging Architecture: James Casebere," Werk, March 2002, pp. 30-33 (another example illustrated in color).
S. Vincent, "In the Studio," Art + Auction, November 2003, p. 41 (another example illustrated in detail).
R. Christofori, Bild-Modell-Wirklichkeit, Heidelberg, 2005, p. 193 (another example illustrated in color).
E. Gabara, Errant Modernism: The Ethos of Photography in Mexico and Brazil, Durham, 2008, pl. 1 (another example illustrated in color).
New York, Sean Kelly Gallery, James Casebere, April-June 2001 (another example exhibited).
Winston-Salem, Southeastern Center for Contemporary Art; Quebec, ; Musee d'Art Contemporain de Montreal and Indianapolis Museum of Art, Picture Show: James Casebere, January 2002-August 2003 (another example exhibited).
Storrs, University of Connecticut, Contemporary Art Galleries, Gatsby Revisited in the Age of the One Percent, March-April 2013 (another example exhibited).
Winston-Salem, Southeastern Center for Contemporary Art; Quebec, ; Musee d'Art Contemporain de Montreal and Indianapolis Museum of Art, Picture Show: James Casebere, January 2002-August 2003 (another example exhibited).
Storrs, University of Connecticut, Contemporary Art Galleries, Gatsby Revisited in the Age of the One Percent, March-April 2013 (another example exhibited).