IRELAND, Geoffrey. Epstein 1956. A Camera Study of the Sculptor at Work ... Introduction by Laurie Lee. London: Unicorn Press, [1957]. 4° (370 x 275mm). Photographic plates. Modern blue half morocco by the Temple Bindery. ONE OF 200 COPIES SIGNED BY EPSTEIN AND LEE.
MOORE, Henry. Heads, Figures and Ideas with a Comment by Geoffrey Grigson. London and New York, 1958. 2° (467 x 318). Numerous plates, several in colour. Blue half morocco over original covers (extremities a little rubbed) -- WEISSENHORN, Hellmuth. Hand-coloured linocuts. London: Acorn Press, 1978. 4° (335 x 243mm). 21 linocuts in colour. Original boards (foot of spine worn), NUMBER 98 OF 100 COPIES SIGNED BY THE ARTIST; and 4 other volumes including Ionel Jianjou's Henry Moore (Paris, 1968) and Kenneth Grant's Images & Oracles of Austin Osman Spare (London, 1975). (7)
IRELAND, Geoffrey. Epstein 1956. A Camera Study of the Sculptor at Work ... Introduction by Laurie Lee. London: Unicorn Press, [1957]. 4° (370 x 275mm). Photographic plates. Modern blue half morocco by the Temple Bindery. ONE OF 200 COPIES SIGNED BY EPSTEIN AND LEE.
MOORE, Henry. Heads, Figures and Ideas with a Comment by Geoffrey Grigson. London and New York, 1958. 2° (467 x 318). Numerous plates, several in colour. Blue half morocco over original covers (extremities a little rubbed) -- WEISSENHORN, Hellmuth. Hand-coloured linocuts. London: Acorn Press, 1978. 4° (335 x 243mm). 21 linocuts in colour. Original boards (foot of spine worn), NUMBER 98 OF 100 COPIES SIGNED BY THE ARTIST; and 4 other volumes including Ionel Jianjou's Henry Moore (Paris, 1968) and Kenneth Grant's Images & Oracles of Austin Osman Spare (London, 1975). (7)
