Suzuki Harunobu (1725?-1770)
Courtesan Taking a Break from a Party, Parody of the "Mugen no kane" Scene in the Play Hiragana seisuiki, ca. 1767-68
Woodcut mitate-e (allusive picture) representing the "Mugen no kane" scene from the play Hiragana seisuiki illustrated by a courtesan on the veranda taking some air from a party in full swing indoors, the silhouettes of a geisha serenading the party guests with a shamisen visible through the white shoji screen, in the garden a stand of yellow kerria (yamabuki), a reed fence and a water basin and scoop, which allude to a temple bell (the legendary Bell of Hell) and striker in the play, the white robe given volume by the technique of impressing only the folds in sunken relief (kimekomi), signed Suzuki Harunobu ga--very good impression, color faded though pink and grey silhouettes appear more vivid, slightly toned across top, lower left corner torn
chuban tate-e: 10 7/8 x 8 3/8in. (27.5 x 21.3cm.)
Suzuki Harunobu (1725?-1770)
Courtesan Taking a Break from a Party, Parody of the "Mugen no kane" Scene in the Play Hiragana seisuiki, ca. 1767-68
Woodcut mitate-e (allusive picture) representing the "Mugen no kane" scene from the play Hiragana seisuiki illustrated by a courtesan on the veranda taking some air from a party in full swing indoors, the silhouettes of a geisha serenading the party guests with a shamisen visible through the white shoji screen, in the garden a stand of yellow kerria (yamabuki), a reed fence and a water basin and scoop, which allude to a temple bell (the legendary Bell of Hell) and striker in the play, the white robe given volume by the technique of impressing only the folds in sunken relief (kimekomi), signed Suzuki Harunobu ga--very good impression, color faded though pink and grey silhouettes appear more vivid, slightly toned across top, lower left corner torn
chuban tate-e: 10 7/8 x 8 3/8in. (27.5 x 21.3cm.)
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