William Young Ottley (Thatcham 1771-1836 London) and others
Twenty studies after works in Pisa and Orvieto including: frescoes in Campo Santo, Pisa, by Buffalmacco; Christ by Ugolino di Prete Ilario (illustrated); relief-sculpture on the facade of the Duomo, Orvieto, by Lorenzo de Maitani; sculpture from the Pisa Baptistery by Nicolo Pisano; and The Wicked Destroyed at the end of the World by fire from Heaven by Luca Signorelli
variously inscribed, one signed and dated 'W.O.dt.ab Orig.1793' (lower left)
three pencil, six pen and black ink, seven pen and brown ink, one pencil, pen and black ink and grey wash, three pencil, pen and black ink, sixteen on paper, four on tracing paper, one with watermark J HONIG, one with watermark JH&Z (Honig & Zoonen), one with watermark coat-of-arms with initials CLC (?)
12½ x 18 in. (31.8 x 45.7 cm.) (20)
William Young Ottley (Thatcham 1771-1836 London) and others
Twenty studies after works in Pisa and Orvieto including: frescoes in Campo Santo, Pisa, by Buffalmacco; Christ by Ugolino di Prete Ilario (illustrated); relief-sculpture on the facade of the Duomo, Orvieto, by Lorenzo de Maitani; sculpture from the Pisa Baptistery by Nicolo Pisano; and The Wicked Destroyed at the end of the World by fire from Heaven by Luca Signorelli
variously inscribed, one signed and dated 'W.O.dt.ab Orig.1793' (lower left)
three pencil, six pen and black ink, seven pen and brown ink, one pencil, pen and black ink and grey wash, three pencil, pen and black ink, sixteen on paper, four on tracing paper, one with watermark J HONIG, one with watermark JH&Z (Honig & Zoonen), one with watermark coat-of-arms with initials CLC (?)
12½ x 18 in. (31.8 x 45.7 cm.) (20)
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