John Sloan (1890-1970)
Turning out the Light
etching, 1905, on laid paper, signed in pencil and titled from the edition of 100, with wide margins, a deckle edge at the bottom, light stained (P. 118 x 167 mm., S. 252 x 326 mm.); with The Bonfire, etching, 1920, on wove paper, signed, titled and dedicated to Pach in pencil, from the edition of 100, wide margins, pinholes along the sheet edges (P. 130 x 180 mm., S. 200 x 260 mm.); and another etching by the same hand, laid onto cardboard and dedicated (P. 59 x 93 mm.; S. 85 x 115 mm.) (3)
John Sloan (1890-1970)
Turning out the Light
etching, 1905, on laid paper, signed in pencil and titled from the edition of 100, with wide margins, a deckle edge at the bottom, light stained (P. 118 x 167 mm., S. 252 x 326 mm.); with The Bonfire, etching, 1920, on wove paper, signed, titled and dedicated to Pach in pencil, from the edition of 100, wide margins, pinholes along the sheet edges (P. 130 x 180 mm., S. 200 x 260 mm.); and another etching by the same hand, laid onto cardboard and dedicated (P. 59 x 93 mm.; S. 85 x 115 mm.) (3)
